Theatre
Branagh can’t quite banish the spirit of Noel Edmonds: King Lear, at Wyndham’s Theatre, reviewed
Branagh vs Lear. The big fixture in theatreland ends in a win for Shakespeare’s knotty and intractable script which usually…
Comedy of the blackest kind: Boy Parts, at Soho Theatre, reviewed
There’s something mesmerising about watching a good mimic. And Aimée Kelly, who plays fetish photographer Irina Sturges in Soho Theatre’s…
Real women do not behave like this: Lyonesse, at the Harold Pinter Theatre, reviewed
Lyonesse by Penelope Skinner takes a while to get going. The central character, Elaine, is a washed-up British actress (Kristin…
If only Caryl Churchill’s plays were as thrillingly macabre as her debut
The first play by the pioneering feminist Caryl Churchill has been revived at the Jermyn Street Theatre. Owners, originally staged…
Scherzinger is superb but why’s the set so dark and ugly? Sunset Boulevard, at the Savoy Theatre, reviewed
Sunset Boulevard is a re-telling of the Oedipus story set in the cut-throat world of Hollywood. Pick a side in…
Director’s cut
The unlovely Rose Theatre in Kingston is a modest three-storey eyesore. The concrete foyer looks like an exercise area on…
Godot with gags: It’s Headed Straight Towards Us, at Park200, reviewed
It sounds like a barking-mad student sketch but the final product is marinated in wisdom and maturity. It’s Headed Straight…
Cheesy skit
The playwright Sam Holcroft likes to toy with dramatic conventions and to tease her audiences by withholding key information about…
Gone girl
Anthropology is a drama about artificial intelligence that starts as an ultra-gloomy soap opera. A suicidal lesbian, Merril, speaks on…
Germ of an idea
Bleach and germs are the central themes of Dr Semmelweis, written by Mark Rylance and Stephen Brown. The opening scene,…
Love and other drugs
Lucy Prebble belongs to the posse of scribblers responsible for the HBO hit, Succession. Perhaps in honour of this distinction,…






























