Radio
Englishness vs California dreaming: Meghan and Harry's Archewell Audio reviewed
On Archewell Audio, Harry and Meghan’s new podcast, ‘love wins’, ‘change really is possible’, and ‘the courage and the creativity…
A round-up of horror podcasts
Good evening! Come shivering on in through the garden side door, my friends, and distance yourselves in a semi-legal fashion…
The world’s greatest podcast: Dan Carlin’s Hardcore History reviewed
It’s well known that you should never meet your heroes because they will only disappoint you. Less commonly said, but…
The genius of I’m Sorry I Haven’t a Clue
I’m Sorry I Haven’t a Clue has just been voted the greatest radio comedy of all time by Radio Times,…
Inane, modish and safe: The White Pube podcast reviewed
The White Pube started life as an influential art blog, written by Zarina Muhammad and Gabrielle de la Puente. The…
Enjoyably bad-tempered: The Lock In with Jeremy Paxman reviewed
‘I used to be Mr Nasty! That was good! Mr Nasty was easy!’ Jeremy Paxman bellows at Michael Palin on…
Boldly going where hundreds have gone before: Brave New Planet podcast reviewed
Since technology is developing at such light-speed pace, why does it feel so strangely slow? There is a sense that…
The shocking story of Charles and Mary Lamb: Slightly Foxed podcast reviewed
The Slightly Foxed podcast, like the quarterly and old bookshop of the same name, is almost muskily lovely. It’s the…
A cautionary tale about how democracy can subvert itself: Bunga Bunga reviewed
Italy has long captivated romantics from rainy, dreary, orderly northern Europe. Goethe, Stendhal, Keats and Shelley all flocked to Italy…
A beautiful radio adaptation: Radio 4’s The Housing Lark reviewed
Nineteen fifty-six: the Suez crisis, the first Tesco, Jim Laker takes 19 wickets in a match. But also: Trinidadian pianist…
Alan Partridge should replace Jenni Murray on Woman's Hour
In the week Jenni Murray left Woman’s Hour, I was listening to Alan Partridge on his new podcast, From the…
Tacky and incomprehensible: The Sandman audiobook reviewed
Listening to the tacky and incomprehensible audio-adaptation of Neil Gaiman’s graphic novel seriesSandman, I couldn’t stop thinking about the 19th-century…
The Archers is a masterclass in how not to write a monologue
If you’ve been listening to The Archers lately, you’ll know how tedious monologues can be. The BBC has received so…
A podcast about the literary canon that actually deepens your knowledge (sort of)
While most of life’s pleasures can be shared, reading is lonely. It’s more than possible for six friends to enjoy…
Wholesome, intimate and suspiciously vague: The Michelle Obama Podcast reviewed
Back in March, I made a long-odds bet that Michelle Obama would be the Democratic party’s vice-presidential nominee. I knew…
Adapting Wodehouse for the radio is a challenge – but the BBC has succeeded brilliantly
Everyone knows a Lord Emsworth. Mine lives south of the river and wears caterpillars in his hair and wine on…
I've lost patience with podcasts and their presenters
‘To be recognised and accepted by a peregrine,’ wrote J.A. Baker in 1967, ‘you must wear the same clothes, travel…
Why do Radio 3 presenters adopt the tone stupid adults use when addressing children?
Anyone who has listened regularly to Radio 3 over the decades — not to mention the Third Programme, which Radio…
Ill-disciplined and self-indulgent: The Guilty Feminist podcast reviewed
With theatres shut, radio must lighten the darkness. The Guilty Feminist is a wildly popular podcast performed by Deborah Frances-White…
Why do writers enjoy walking so much?
Writers like walking. When people ask us why, we say it’s what writers do. ‘Just popping out to buy a…
The joy of Radio 3’s Building a Library
So, you’ve fallen in love with a piece of classical music and you want to buy a recording. The problems…
Radio 4's new H.P. Lovecraft adaptation will give you the chills
Of all the many things I’ve learned from the radio so far this decade, the most deranging is that the……
How podcasts have transformed radio
As if on cue, Lemn Sissay’s new series for Radio 4 tackles all those questions we would rather ignore in…
The pleasures and perils of talking about art on the radio
‘I like not knowing why I like it,’ declared Fiona Shaw, the actress, about Georgia O’Keeffe’s extraordinary blast of colour,…
The Polish electronic music revolution of the 1950s
It was created in November 1957, a year before the BBC’s fabled Radiophonic Workshop, and was far more influential in…
Most Popular
- Read
- Read
Latest
Cartoons
