Arts

Have we got news for you

7 May 2022 9:00 am

In The Spectator office’s toilets there are framed front covers of the events that didn’t happen: Corbyn beats Boris; ‘Here’s…

Nattery and nice

7 May 2022 9:00 am

Have you ever taken a piece of advice? I’m not asking a rhetorical question. Have you ever once in your…

No more Mr Nasty Guy

7 May 2022 9:00 am

In theory, it should be a perfect match. John Morton – the man behind the brilliantly assured sitcom W1A which…

Losing the plot

7 May 2022 9:00 am

The title of the Donmar’s new effort, Marys Seacole, appears to be a misprint and that makes the reader look…

The perfect pop star

7 May 2022 9:00 am

Dua Lipa’s second album, Future Nostalgia, was released at the least promising moment possible: 27 March 2020, the day after…

Anatomy of a forgettable scandal

30 April 2022 9:00 am

An evening of shorts, courtesy of Flickerfest, even at a lustrous cinema like the Kino in the Sofitel complex off…

The lonely path to herohood

30 April 2022 9:00 am

Instead of wasting money, like other museums, on extravagant architectural statements, the Foundling Museum in Brunswick Square has sensibly chosen…

Bad education

30 April 2022 9:00 am

The Corn is Green by Emlyn Williams is a sociology essay written in 1938 about a prickly tyrant, Miss Moffat,…

Literally Hitler

30 April 2022 9:00 am

To be a Wagnerite is to enter the theatre in a state of paranoia. Mainstream culture has decided that Wagner…

The essential Wellerness

30 April 2022 9:00 am

You don’t need to be a historian of pop to realise that having been part of a huge manufactured group…

‘I came, I saw, I scribbled’

30 April 2022 9:00 am

Graeme Thomson talks to former Pogues frontman Shane MacGowan about his first art folio

Cut and thrust

30 April 2022 9:00 am

Sneer all you like at its prolixities and vulgarities but Kenneth MacMillan’s Mayerling remains a ballet that packs an exceptionally…

Slippery slope

30 April 2022 9:00 am

Downton Abbey: A New Era is the second film spin-off from the TV series and, like the first, it doesn’t…

The age of innocence

30 April 2022 9:00 am

Netflix’s share price has collapsed and a major factor, people are saying, is its relentless pushing of agendas. I think…

A peculiar backwards mutation

23 April 2022 9:00 am

It’s not hard to sympathise with Christopher Allen’s recent column in the Review section of the Australian decrying the juxtaposition…

Trumpian lullaby

23 April 2022 9:00 am

Trump is said to be a gift for bad satirists and a problem for good ones. He dominates Mike Bartlett’s…

Don’t frighten the horses

23 April 2022 9:00 am

Chivalry – written by and starring Sarah Solemani and Steve Coogan – is a comedy drama about post-#MeToo Hollywood life.…

Thrills, frills and folderols

23 April 2022 9:00 am

A clever, original exhibition at the Wallace Collection has Laura Freeman twirling her way through the West End

Pot head

23 April 2022 9:00 am

Richard Batterham died last September at the age of 85. He had worked in his pottery in the village of…

Rebel yell

23 April 2022 9:00 am

Ordinarily, if a podcast purports to be revelatory, you can assume it is anything but. There’s a glut of programmes…

Father John Misty: Chloë and the Next Twentieth Century

23 April 2022 9:00 am

 Grade: A– In which Josh Tillman reimagines the whole back catalogue of 20th-century American pop music (except for rock), tilting…

You’re Nicked

23 April 2022 9:00 am

The Unbearable Weight of Massive Talent stars Nicolas Cage playing a version of Nicolas Cage, in a parody of Nicolas…

A remarkable film that gleams with mastery

16 April 2022 9:00 am

What a relief it was to see Parallel Mothers the new film by Pedro Almodóvar. There was the tediousness and…

Blowing hot and cold

16 April 2022 9:00 am

A ‘Ghost Shop’ has appeared between Domino’s Pizza and Shoe Zone on Sunderland High Street. Look through the laminated window…

The great deceit

16 April 2022 9:00 am

Operation Mincemeat is based on the book by Ben Macintyre, which in turn is based on what Sir Hugh Trevor-Roper…