Arts
Stuck at home with a serial killer
It’s odd when you think of the way television has usurped almost everything else in the time of the virus.…
How on earth did Harold Pinter and Danny Dyer become such good friends?
Collectors of TV titles that sound as if they were thought of by Alan Partridge will presumably have spotted Danny…
More mimsy soft rock from Cat Stevens: Tea for the Tillerman 2 reviewed
Grade: B– Time has been kind to Cat Stevens’s reputation — his estrangement from the music business and rad BAME…
Brilliantly performed twaddle: Old Vic’s Faith Healer reviewed
The Old Vic refuses to reopen. Director Matthew Warchus says the social distancing rules make it impossible for him to…
Would be much better without Bill or Ted: Bill & Ted Face the Music reviewed
I think I am supposed to say that Bill & Ted Face the Music, the third in a franchise about…
I pounded my car horn like a Neapolitan cabbie: ENO's drive-in Bohème reviewed
The email from English National Opera was blunt: ‘Your arrival time is 18.25. If you arrive outside your allocated time…
The mediums who pioneered abstract art
The mediumistic art of various cranks, crackpots and old dowagers is finally being taken seriously – and about time too, says Laura Gascoigne
As immersive art goes, nothing can compete with Berghain
In Geoff Dyer’s Jeff in Venice, the protagonist, at the Venice Biennale, muses on installations. ‘Ideally, the perfect art installation…
Does Rada seriously believe George Bernard Shaw was an Irish Mengele?
What has happened to Rada? The Royal Academy of Dramatic Art is the latest arts establishment to have gone mad.…
Diana Rigg
It was sad the other day to hear of the passing of that scintillating lady of stage and screen Diana…
Sheku Kanneh-Mason
The world became aware of Sheku Kanneh-Mason when he played the cello at the wedding of Harry and Meghan Sussex…
Affectionate and unthreatening, just like usual: Last Night of the Proms reviewed
The Last Night of the Proms came and went, and it was pretty much as anyone might have predicted, if…
Covid marshals are killing theatre: The Shrine & Bed Among the Lentils reviewed
Covid marshals have invaded theatreland. Arriving for a weekday matinee at the Bridge, I was greeted by stewards holding up…
The TV we feared they’d never dare make any more: The Singapore Grip reviewed
‘Art is dead,’ declared Mark Steyn recently. He was referring to the new rules — copied from the Baftas —…
Virtuosic but slight – always prog’s problem: The Pineapple Thief's latest reviewed
Grade: B– Of all the various subdivisions in that wheezing and crippled phenomenon that we call rock music, prog has…
The gentle genius of Mervyn Peake
Mervyn Peake’s unsettling illustrations reveal a gentle, kindly man with the soul of a pirate, says Daisy Dunn
The beautiful upside-down world of Georg Baselitz
The hand is one of the first images to appear in art. There are handprints on the walls of caves…
Tacky and incomprehensible: The Sandman audiobook reviewed
Listening to the tacky and incomprehensible audio-adaptation of Neil Gaiman’s graphic novel seriesSandman, I couldn’t stop thinking about the 19th-century…
This is what cinema is for: Netflix’s Cuties reviewed
Cuties is the subject of a moral panic and a hashtag #CancelNetflix. It tells the story of Amy (Fathia Youssouf),…
Arcadian repose
A friend of mine, a bit of a watermelon really like most of the cultural milieu, asked me why I…
Cynical Theories
They are possibly the most politically incorrect authors in the world. And they have universities squarely in their sights. Helen…
The forgotten female composer fêted by Mozart and Haydn
Selina Mills on Maria Theresia von Paradis, the gifted but forgotten 18th-century composer, whose story will finally be told in a new chamber opera
An investor should snap up this weepy musical: Sleepless reviewed
It has roughly the same proportions as Shakespeare’s Globe. The Roman Theatre in Verulamium (St Albans) is an atmospheric ruin…
What on earth has happened to Simon Schama: The Romantics and Us reviewed
‘You may think our modern world was born yesterday,’ said Simon Schama at the beginning of The Romantics and Us.…
The Archers is a masterclass in how not to write a monologue
If you’ve been listening to The Archers lately, you’ll know how tedious monologues can be. The BBC has received so…
