Arts

Detail from ‘Saying Farewell at Xunyang’, 16th century, by Qiu Ying

Smouldering addiction

9 November 2013 9:00 am

My addiction to Chinese landscape painting began in 1965 at the V&A, in a travelling exhibition of the Crawford Collection…

Lost cause

9 November 2013 9:00 am

Here’s a tip for play-goers. When the curtain goes up on a garden, prepare for some feeble plotting. The glory…

Money and movies

9 November 2013 9:00 am

Seduced and Abandoned is both a satire on film-making and a love letter to film-making and a joy. A documentary…

Light and shade

9 November 2013 9:00 am

Sun is one of those performances that confront reviewers with the eternal dilemma of whether or not it is appropriate…

It’s everywhere

9 November 2013 9:00 am

They’re now televising proceedings from the Court of Appeal. Great. As if I didn’t have enough to do already, keeping…

Trivial moaning

9 November 2013 9:00 am

There is much to be said for Schadenfreude. (If it was edible, it would be a meal in a very…

All is forgiven

9 November 2013 9:00 am

It’s hard to stay cross with Radio 3 for long. Just when I thought the network had stretched my loyalty…

Double trouble

9 November 2013 9:00 am

There’s courage, there’s fearlessness, and then there’s the sort of sublime audacity you need to do something like sidecar racing.…

Light and shade

7 November 2013 3:00 pm

Sun is one of those performances that confront reviewers with the eternal dilemma of whether or not it is appropriate…

Double trouble

7 November 2013 3:00 pm

There’s courage, there’s fearlessness, and then there’s the sort of sublime audacity you need to do something like sidecar racing.…

Double trouble

7 November 2013 3:00 pm

There’s courage, there’s fearlessness, and then there’s the sort of sublime audacity you need to do something like sidecar racing.…

Scary monsters: the demon from Jacques Tourneur’s 1957 film

Darkness visible

2 November 2013 9:00 am

Peter Hoskin looks forward to being scared witless courtesy of the BFI’s feast of Gothic cinema

Conduct becoming

2 November 2013 9:00 am

Michael Henderson talks to the youthful conductor Daniel Harding, who realises that the older he gets the more he has to learn

Singing under cardboard

2 November 2013 9:00 am

To undertake a concert tour of New Zealand’s cathedrals at the moment is to be constantly reminded of the destructive…

Terrific: Barnaby Kay (Keith) and Tamzin Outhwaite (Briony)

Let’s hear it for the toffs

2 November 2013 9:00 am

This is a strange one. Simon Paisley Day’s new play feels like a conventional comedy of manners. Three couples pitch…

Kissing away kingship

2 November 2013 9:00 am

Gregory Doran, now in command at Stratford in succession to Sir Michael Boyd, launches his regime with Richard II, intending…

Feats of Klee

2 November 2013 9:00 am

There is a school of thought that sees Paul Klee (1879–1940) as more of a Swiss watchmaker than an artist,…

Disturbed by Britten

2 November 2013 9:00 am

This week chanced to give me a fascinating study in contrasts and comparisons: Mark-Anthony Turnage’s Greek at the Linbury Studio,…

Mother courage

2 November 2013 9:00 am

Philomena is based on the true story of an Irish woman searching for the son stolen from her by the…

Machines and us

2 November 2013 9:00 am

This year’s Free Thinking festival at the Sage in Gateshead has been asking the question,  Who’s in Control?. Oddly, or…

Tales of the unexpected

2 November 2013 9:00 am

‘Life is what happens to you while you’re busy making other plans,’ said John Lennon. Quite apposite from a man…

Songs of love and hate

2 November 2013 9:00 am

As Sunday night’s storm clouds gathered, one of rock’s great polymath-storytellers whipped up a tempest of his own on the…

Songs of love and hate

31 October 2013 3:00 pm

As Sunday night’s storm clouds gathered, one of rock’s great polymath-storytellers whipped up a tempest of his own on the…

Songs of love and hate

31 October 2013 3:00 pm

As Sunday night’s storm clouds gathered, one of rock’s great polymath-storytellers whipped up a tempest of his own on the…

Malcolm Morley in his studio: ‘Two words characterise my art — diversity and fidelity’

‘The last wild man of modern art’

26 October 2013 9:00 am

Andrew Lambirth talks to Malcolm Morley