Arts

Great Britten

30 November 2013 9:00 am

Of this year’s three musical birthday boys, Wagner has fared, in England, surprisingly well, Verdi inexplicably badly, and Britten, as…

The odd couple

30 November 2013 9:00 am

Saving Mr Banks tells ‘the untold true story’ of the making of the Disney classic Mary Poppins via the stand-offs…

Cultural touchstone

30 November 2013 9:00 am

Next month marks the 30th anniversary of the release of what is, in my opinion, one of the funniest films…

Cranko’s legacy

30 November 2013 9:00 am

Stuttgart Ballet’s rapid ascent to fame is at the core of one of the most interesting chapters of ballet history.…

The people’s champion

30 November 2013 9:00 am

Gary Bell is the rudest man in Britain. I have known the bastard for years and no one —move over,…

Letting us down

30 November 2013 9:00 am

As I listened to Robert Peston early last Friday fluffing on about the Revd Paul Flowers and the possible effect…

What a life

30 November 2013 9:00 am

If you were in a bathtub for 25 years, don’t you think you’d get a little bit psychotic? Well, yes,…

What a life

28 November 2013 3:00 pm

If you were in a bathtub for 25 years, don’t you think you’d get a little bit psychotic? Well, yes,…

What a life

28 November 2013 3:00 pm

If you were in a bathtub for 25 years, don’t you think you’d get a little bit psychotic? Well, yes,…

Cranko’s legacy

28 November 2013 3:00 pm

Stuttgart Ballet’s rapid ascent to fame is at the core of one of the most interesting chapters of ballet history.…

‘The Pond, Ditchling’ by Charles Knight - © Ditchling Museum Art + Craft

Guiding dream

23 November 2013 9:00 am

Andrew Lambirth takes a tour of the revamped Ditchling Museum of Art + Craft

‘Butterfly’ tapestry by Alison Watt on the loom at Dovecot Studios, 2013

Weaving wonder

23 November 2013 9:00 am

One loom, six metres in length, currently dominates the great, light-filled weaving hall of Edinburgh’s renowned tapestry workshop, Dovecot Studios.…

Installationat ‘Pop Art Design’exhibition, showing Roy Lichtenstein’s ‘Yellow Brushstroke II’, 1965, plates by Eduardo Paolozzi (c.1972) and Ettore Sottsass (1958) and ‘Marshmallow’ sofa, 1956, by George Nelson Associates

No laughing matter

23 November 2013 9:00 am

Pop Art Design, curated by the Vitra Design Museum and currently at the Barbican, opens with Richard Hamilton’s 1956 ‘Just…

Acting as turret gateway: ‘Minster’, 1987, by Tony Cragg

Time travelling

23 November 2013 9:00 am

The title of the Lisson Gallery’s new show, Nostalgic for the Future, could sum up the gallery’s whole raison d’être.…

Fishy fantasies

23 November 2013 9:00 am

One of the more exotic attractions at the 1939–40 World’s Fair in New York was Salvador Dalí’s ‘Dream of Venus…

Remembering John Tavener

23 November 2013 9:00 am

When I first met John Tavener in 1977, he was still largely known for his dramatic cantata The Whale, which…

The killing fields

23 November 2013 9:00 am

In the future, everyone will have silly names. Some people will be called Haymitch Abernathy. Others will be Effie Trinket…

Baroque brilliance

23 November 2013 9:00 am

Visits by English Touring Opera are always to be looked forward to, but this autumn it has surpassed itself with…

In the slammer

23 November 2013 9:00 am

Athol Fugard is regarded as a theatrical titan but I usually need a microscope to find any trace of greatness…

Who’s who

23 November 2013 9:00 am

If I could go back in time, I’d watch Doctor Who from the very first episode. I wasn’t born in…

Squirming at Screwtape

23 November 2013 9:00 am

A surfeit of anniversaries this week reminded us that on the day of President Kennedy’s assassination, C.S. Lewis (born 1898)…

Images of war

23 November 2013 9:00 am

Catalyst: Contemporary Art and War at the Imperial War Museum North (until 23 February) is alone worth a trip to…

Images of war

21 November 2013 3:00 pm

Catalyst: Contemporary Art and War at the Imperial War Museum North (until 23 February) is alone worth a trip to…

Images of war

21 November 2013 3:00 pm

Catalyst: Contemporary Art and War at the Imperial War Museum North (until 23 February) is alone worth a trip to…

Market dominance: ‘Dustheads’, 1982, by Jean-Michel Basquiat

Critical divide

16 November 2013 9:00 am

Collectors may be mad for Jean-Michel Basquiat but the critics hate him. Niru Ratnam asks why