Arts

I’ve never thought much of John Lennon’s music – until now

8 October 2015 2:00 pm

It’s probably blasphemous to admit that I’ve never thought very much of John Lennon’s music. Common sense tells me it…

Was BBC1’s Rooney hagiography more scripted reality than documentary?

8 October 2015 2:00 pm

Close to the Edge (BBC4, Tuesday) feels very much like an idea conceived during a particularly good night in the…

From top left: Lucian Freud, Rudolf Bing, Stefan Zweig, Walter Gropius, Rudolf Laban, Max Born, Kurt Schwitters, Friedrich Hayek, Fritz Busch, Frank Auerbach, Emeric Pressburger, Oskar Kokoschka

Hitler’s émigrés

3 October 2015 9:00 am

German-speaking refugees dragged British culture into the 20th century. But that didn’t go down well in Stepney or Stevenage, says William Cook

Michael Fassbender: animal magnetism but no clue as to what oils Macbeth’s cogs

Speech impediment

3 October 2015 9:00 am

Who goes to big-screen Shakespeare? Not theatre-goers much, and with reason. Apart from the odd corker by Kurosawa, arguably Olivier…

'A glittering concentrate of fury in her dark eyes': Patricia Racette as Katerina Ismailova in 'Lady Macbeth of Mtsensk'

Lady killer

3 October 2015 9:00 am

‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…

Gutted!

3 October 2015 9:00 am

There was blood on the walls and floor at the birth of Kenneth MacMillan’s Romeo and Juliet in 1965. The…

Culture buff

3 October 2015 9:00 am

1989 saw the establishment by Paul Dyer of the Australian Brandenburg Orchestra with the assistance of Bruce Applebaum as General…

‘I want to break free-eee!’: Madeleine Worrall as Jane, the 19th century’s Freddie Mercury, in ‘Jane Eyre’ at the Lyttelton

Foote fault

3 October 2015 8:00 am

Samuel Foote (1720–77) was a star of the 18th-century stage who avoided the censors by extemporising his performances. Today we’d…

Margit Carstensen as Petra, downing gin and grovelling on her deep-pile carpet, in ‘The Bitter Tears of Petra von Kant’

Incomprehensible genius

3 October 2015 8:00 am

London’s Goethe-Institut has a two-month season of films of Rainer Werner Fassbinder (whose 70th anniversary it’s celebrating), but only five…

‘Dead Rabbit’, 1962, by Dennis Creffield

Now you see it, now you don’t

3 October 2015 8:00 am

The artist, according to Walter Sickert, ‘is he who can take a piece of flint and wring out of it…

Independents’ day

3 October 2015 8:00 am

I really hadn’t meant to write a postscript to last week’s column on my dark Supertramp past. But then along…

Special effects

3 October 2015 8:00 am

Maybe what we love about radio is the way that most of its programming allows us the luxury of staying…

Michael Fassbender: animal magnetism but no clue as to what oils Macbeth’s cogs

Speech impediment

1 October 2015 1:00 pm

Who goes to big-screen Shakespeare? Not theatre-goers much, and with reason. Apart from the odd corker by Kurosawa, arguably Olivier…

Margit Carstensen as Petra, downing gin and grovelling on her deep-pile carpet, in ‘The Bitter Tears of Petra von Kant’

Incomprehensible genius

1 October 2015 1:00 pm

London’s Goethe-Institut has a two-month season of films of Rainer Werner Fassbinder (whose 70th anniversary it’s celebrating), but only five…

Gutted!

1 October 2015 1:00 pm

There was blood on the walls and floor at the birth of Kenneth MacMillan’s Romeo and Juliet in 1965. The…

‘Dead Rabbit’, 1962, by Dennis Creffield

Now you see it, now you don’t

1 October 2015 1:00 pm

The artist, according to Walter Sickert, ‘is he who can take a piece of flint and wring out of it…

'A glittering concentrate of fury in her dark eyes': Patricia Racette as Katerina Ismailova in 'Lady Macbeth of Mtsensk'

Lady killer

1 October 2015 1:00 pm

‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…

'A glittering concentrate of fury in her dark eyes': Patricia Racette as Katerina Ismailova in 'Lady Macbeth of Mtsensk'

Lady killer

1 October 2015 1:00 pm

‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…

‘I want to break free-eee!’: Madeleine Worrall as Jane, the 19th century’s Freddie Mercury, in ‘Jane Eyre’ at the Lyttelton

Foote fault

1 October 2015 1:00 pm

Samuel Foote (1720–77) was a star of the 18th-century stage who avoided the censors by extemporising his performances. Today we’d…

‘I want to break free-eee!’: Madeleine Worrall as Jane, the 19th century’s Freddie Mercury, in ‘Jane Eyre’ at the Lyttelton

Foote fault

1 October 2015 1:00 pm

Samuel Foote (1720–77) was a star of the 18th-century stage who avoided the censors by extemporising his performances. Today we’d…

Special effects

1 October 2015 1:00 pm

Maybe what we love about radio is the way that most of its programming allows us the luxury of staying…

Special effects

1 October 2015 1:00 pm

Maybe what we love about radio is the way that most of its programming allows us the luxury of staying…

Independents’ day

1 October 2015 1:00 pm

I really hadn’t meant to write a postscript to last week’s column on my dark Supertramp past. But then along…

From top left: Lucian Freud, Rudolf Bing, Stefan Zweig, Walter Gropius, Rudolf Laban, Max Born, Kurt Schwitters, Friedrich Hayek, Fritz Busch, Frank Auerbach, Emeric Pressburger, Oskar Kokoschka

Hitler’s émigrés

1 October 2015 1:00 pm

Next week Frank Auerbach will be honoured by the British art establishment with a one-man show at Tate Britain. It’s…

Culture buff

26 September 2015 9:00 am

The popularity of Writers’ Festivals is a growing cultural phenomenon matched by the boom in book groups. Now, book groups…