Arts
The forgotten masterpieces of Indian art
As late as the end of the 18th century, only a handful of Europeans had ever seen the legendary Mughal…
Clever, spirited, vigorous and intelligent: Little Women reviewed
There have already been several film adaptations of Louisa May Alcott’s beloved 1868 novel Little Women, and why not? After…
Natalia Aroyan and friend at Sydney Opera House
It’s summer in Sydney, so there is an Opera Season. Two productions by the distinguished British director David McVicar –…
Don’t tell me model railways aren’t art. My little engine is a thing of spirit and beauty
It’s a summer day at Llangenydd station, and the afternoon train is already late, not that anyone seems to mind.…
To fill a major Tate show requires a huge talent. Dora Maar didn’t have that
Dora Maar first attracted the attention of Pablo Picasso while playing a rather dangerous game at the celebrated left-bank café…
One hell of a concert: Opera North’s Bluebeard’s Castle reviewed
Freud knew something about fear. Not the sudden shock of terror, but the creeping, sickening, slow-burn horror of the uncanny.…
Why on earth did Glenda Jackson give up acting? BBC1’s Elizabeth is Missing reviewed
Watching BBC1’s Elizabeth Is Missing made one of the more puzzling decisions of recent decades seem more puzzling still. Entirely…
A son-et-lumière spectacular: The Chemical Brothers at the O2 Arena reviewed
How does one account for the phenomenon that is the Chemical Brothers, a quarter of a century on from their…
A flimsy tale of self-pity and thwarted ambition: Hunger at the Arcola reviewed
Oh my God. The Nazis have invaded the Arcola Theatre. Norwegian novelist Knut Hamsen won the Nobel Prize in 1920…
Hugh Ramsay “Miss Nellie Patterson” 1903
This is a great time of the year to visit Canberra and the National Gallery. Despite some ‘gender equality’ grandstanding…
How capitalism killed sleep
What can you make a joke about these days? All the old butts of humour are off limits. No wonder…
A museum-quality car-boot sale: V&A’s Cars reviewed
We were looking at a 1956 Fiat Multipla, a charming ergonomic marvel that predicted today’s popular MPVs. Rather grandly, I…
Sadistic and repellent and thrilling: Mascagni’s Iris reviewed
If you’ve ever felt that poor Madama Butterfly had a bit of a raw deal, then you really, really don’t…
Punk spirit underpinned by darkness and horror: Richard III at the Sam Wanamaker Theatre reviewed
The history plays are different. In dramas like Othello, Hamlet and Much Ado, Shakespeare laid out the plot with great…
I’ve never seen a film like it: Ordinary Love reviewed
Ordinary Love stars Lesley Manville and Liam Neeson as a long-married couple whose lives are disrupted when she is diagnosed…
The only bearable TV series these days are the ones with subtitles, like Der Pass
True to the Andrew Roberts rule that the only bearable series on TV these days are ones with subtitles, I’ve…
Smart, funny and beautifully imagined: RSC’s The Boy in the Dress reviewed
David Walliams is one of the biggest-selling children’s authors in the world (having shifted some 25 million copies in more…
Portrait of Rear-Admiral William Bligh (detail) Alexander Huey, 1814
Hero or Villain? That is the question posed about William Bligh by an exhibition currently at the Australian National Maritime…
From cartoons to stage design: the genius of Osbert Lancaster
‘Bigger,’ said Sir Osbert Lancaster when asked the difference between his work for the page and for the stage. ‘Definitely…
Is the patriarchy as all-powerful as it’s cracked up to be? The Baby Has Landed reviewed
Anybody who watched the opening episode of The Baby Has Landed (BBC2, Wednesday) might have found themselves wondering if the…
An astonishing treat: Dear Evan Hansen at the Noël Coward Theatre reviewed
Dear Evan Hansen, by Steven Levenson, opens as a standard American teen-angst musical. Evan is a sweaty geek with a…
The pleasures and perils of talking about art on the radio
‘I like not knowing why I like it,’ declared Fiona Shaw, the actress, about Georgia O’Keeffe’s extraordinary blast of colour,…
Remarkable and imaginative: Fitzwilliam Museum’s The Art of Food reviewed
Eating makes us anxious. This is a feature of contemporary life: a huge amount of attention is devoted to how…
Handsome and revivable but I wasn’t moved: Royal Opera’s Death in Venice reviewed
Premièred within two years of each other, Luchino Visconti’s film and Benjamin Britten’s opera Death in Venice both take Thomas…
Rap that feels like a sociology lecture: Loyle Carner at Alexandra Palace reviewed
A few years ago, I asked the young American soul singer Leon Bridges — a latter-day Sam Cooke, with the…
