Opera
Electrifying: London Handel Festival’s In the Realms of Sorrow, at Stone Nest, reviewed
Hector Berlioz dismissed Handel as ‘that tub of pork and beer’ but it wasn’t always like that. Picture a younger,…
Revival of the fittest
Opera North has begun 2023 with a couple of big revivals, and it’s always rewarding to call in on these…
The sonic equivalent of a Starbucks Eggnog Latte: ENO’s It’s a Wonderful Life reviewed
Whoosh! A digital starburst, a sweep of orchestral sound and the stage of the Coliseum is alive with dancing, whirling…
A towering achievement: ENO’s The Yeomen of the Guard reviewed
The screw may twist and the rack may turn: the Tower of London, in Jo Davies’s new production of The…
Bold, self-assured reimagining of Monteverdi: Opera North's Orpheus reviewed
You wouldn’t like Tamerlano when he’s angry. ‘My heart seethes with rage,’ he sings, in Act III of Handel’s opera…
More depravity, please: Salome, at the Royal Opera House, reviewed
The first night of the new season at Covent Garden was cancelled when the solemn news came through. The second…
An electrifying, immersive thrill: Scottish Opera's Candide reviewed
The first part of the adventure was getting there. Out of the subway, past the tower blocks and under the…
Convincing performances and unexpected sounds: Opera Holland Park's Delius/Puccini double bill reviewed
Delius and Puccini: how’s that for an operatic odd couple? Delius, that most faded of British masters, now remembered largely…
With everything working properly, this would have been a lot of fun: Grange Park's La Gioconda reviewed
There are composers who are known for a single opera, and there are operas that are known for only a…
Had the air of a Blue Peter Christmas special: Grange Festival's The Yeomen of the Guard reviewed
The Yeomen of the Guard has been called the ‘English Meistersinger’ but the more you think about that, the dafter…
A thoroughly enjoyable grand old heap of nothing: The Excursions of Mr Broucek reviewed
Sir David Pountney, it appears, has been to Prague. He’s booked himself a mini-break, he’s EasyJetted out, and after (one…
A completely satisfying operatic experience: Opera North’s Parsifal reviewed
When Parsifal finally returns to Montsalvat, it’s Good Friday. He’s trodden the path of suffering but now the sun is…
Serves Ethel Smyth's opera magnificently: Glyndebourne's The Wreckers reviewed
You’ve got to hand it to Dame Ethel Smyth. Working in an era when to be a British composer implied…
A fine cast, superbly conducted – just don't overthink the production: Royal Opera's Lohengrin reviewed
To be a Wagnerite is to enter the theatre in a state of paranoia. Mainstream culture has decided that Wagner…
Comes so close to greatness but succumbs to prejudice: Royal Opera's Peter Grimes reviewed
No question, the Royal Opera is on a roll. Just look at the cast list alone for Deborah Warner’s new…
Old-school excess, star power and spectacle: Royal Opera's Tosca reviewed
London felt like its old self on Friday night. Possibly it was just me; when you visit the capital once…
Turns Handel into a Netflix thriller: Royal Opera's Theodora reviewed
The Royal Opera has come over all baroque. In the Linbury Theatre, they’re hosting Irish National Opera’s production of Vivaldi’s…
This is how G&S should be staged: ENO's HMS Pinafore reviewed
Until 1881, HMS Pinafore was the second-longest-running show in West End history. Within a year of its première it had…
We'll be talking about Royal Opera's Jenufa two decades from now
Leos Janacek cared about words. He’d hang about central Brno, notebook in hand, eavesdropping on conversations and trying to capture…
Hits you where it hurts: Welsh National Opera's Madam Butterfly reviewed
‘It’s generally agreed that in contemporary practice, this opera proposes significant ethical and cultural problems,’ says the director Lindy Hume…
Neither Tristan nor Isolde quite convinced: Glyndebourne's Tristan und Isolde reviewed
Glyndebourne is nothing if not honest. ‘In response to the ongoing Covid-19 restrictions our 2021 performances of Tristan und Isolde…
Springtime for Putin: Grange Park's The Life and Death of Alexander Litvinenko reviewed
Alexander Litvinenko lies in a London hospital, dying of polonium poisoning. That photograph from 2006 haunts the memory: the medical…
Zips along with enormous vim: Malcolm Arnold's The Dancing Master reviewed
Malcolm Arnold composed his opera The Dancing Master in 1952 for BBC television. It never appeared, the problem being the…
