Exhibitions

‘Tondo the Winged Hours of the Seabirds’ by Keith Grant

Super nature

28 June 2014 9:00 am

For decades I’ve been aware of the work of Keith Grant (born 1930), but it is only in recent years…

Diceman no. 5 by Pat Mills and Hunt Emerson

Black comedy

28 June 2014 9:00 am

Fwoooosh! That, were someone to write a strip about it, would be the sound of a thousand comic books going…

Inspired and springing draughtsmanship: ‘Femme dans la nuit’, 18 April 1945, by Jean Miró

The optimism of light

21 June 2014 8:00 am

Tragically, Ian Welsh (1944–2014) did not live to see this exhibition of his latest work. Diagnosed with terminal cancer on…

‘Prince Pig’s Courtship’ by Paula Rego

The good, the bad and the ugly

14 June 2014 8:00 am

One of the great traditions of the RA’s Summer Exhibition has always been that each work submitted was seen in…

Going Dutch

14 June 2014 8:00 am

I find it easy to forget that Piet Mondrian is a Dutch artist. The linear, gridlocked works he is famed…

Different stages of suffering: ‘Martyrs (Earth, Air, Fire, Water)’ , 2014, by Bill Viola

Viola and St Paul’s

7 June 2014 9:00 am

Deans are a strange breed. Growing up in the Church of England, I met a wide range, their cultural tastes…

‘Coventry Cathedral’, 1940, by John Piper

Discerning eye

7 June 2014 9:00 am

Earlier this year, I sat down and watched Kenneth Clark’s groundbreaking TV series Civilisation. I vaguely remember when it was…

‘Stranger III’, 1959, by Lynn Chadwick

Out of the shadows

31 May 2014 9:00 am

Lynn Chadwick was born 100 years ago in London, and died in 2003 at his Gloucestershire home, Lypiatt Park, where…

‘Steps’, 1931, by Josef Albers

Square dance

24 May 2014 9:00 am

Josef Albers (1888–1976) is best known for his long engagement with the square, which he painted in exquisite variation more…

‘Diana and Actaeon’, 1556–59, by Titian

Rare treat

24 May 2014 9:00 am

In Venice, around 1552, Titian began work on a series of six paintings for King Philip II of Spain, each…

‘Portrait of a Bishop’, c.1541–2, by Jacopo Carrucci, known as Pontormo

Weird and wonderful

17 May 2014 9:00 am

In many respects the average art-lover remains a Victorian, and the Florentine Renaissance is one area in which that is…

‘Capel-y-ffin’, 1926–27, by David Jones

The spiritual in landscape

17 May 2014 9:00 am

‘Valleys breathe, heaven and earth move together,/ daisies push inches of yellow air, vegetables tremble,/ grass shimmers green…’ The characteristic…

‘Brigitte Bardot in Spoleto’, 1961, by Marcello Geppetti

Snap happy

17 May 2014 9:00 am

Before there was Hello!, OK! and Closer, there was Oggi. Oggi was the magazine my Italian mother used to flick…

‘Composition With Fish’ by Jankel Adler, on show at Goldmark Gallery

Spring round-up

10 May 2014 9:00 am

Jankel Adler (1895–1949), a Polish Jew who arrived in Glasgow in 1941, was invalided out of the Polish army, and…

‘The Tea Table’, 1938, by Henri Le Sidaner

Master of melancholy

10 May 2014 9:00 am

Like other species, artists club together in movements not just for purposes of identification but for longevity. Individuals who don’t…

‘Herring Fisher’s Goodbye’, 1928, by Christopher Wood

New ways of seeing

3 May 2014 9:00 am

This exhibition examines a loosely knit community of artists and their interaction over a decade at the beginning of the…

Hanoverian trail

26 April 2014 9:00 am

The 300th anniversary of George I coming to the British throne on 1 August 1714 is big news in his…

‘Icarus’, 1943, by Henri Matisse, maquette for plate VIII of ‘Jazz’, 1947

King of cut-outs

26 April 2014 9:00 am

Artists who live long enough to enjoy a late period of working will often produce art that is radically different…

Design by William Kent for a cascade at Chatsworth, c.1735–40; below, the Bute epergne, 1756, by Thomas Heming, designed by Kent

The gardens of Kent

12 April 2014 9:00 am

How important is William Kent (1685–1748)? He’s not exactly a household name and yet this English painter and architect, apprenticed…

Mysteriously ravishing: ‘Santo Spirito’, 2013, by Arturo Di Stefano

Hidden presence

5 April 2014 9:00 am

One of the paintings in Arturo Di Stefano’s impressive new show at Purdy Hicks Gallery is called ‘Santa Croce’ and…

Passive and bound: ‘Agnus Dei’, c.1635–40, by Zurbarán

Acts of faith

5 April 2014 9:00 am

It seems suitable that just round the corner from the Zurbarán exhibition at the Palais des Beaux Arts is the…

Bearing witness

29 March 2014 9:00 am

Last week, three exhibitions celebrating the art of Germany; this week, a show commemorating the first world war fought against…

‘Overhang’ by Julian Cooper

In tune with nature

29 March 2014 9:00 am

Like most ambitious artists, Julian Cooper has been pulled this way and that by seemingly conflicting influences. The son and…

‘Hercules Killing Cacus’, 1588, by Hendrik Goltzius

German giants

22 March 2014 9:00 am

It’s German Season in London, and revealingly the best of three new shows is the one dealing with the most…

Fernand Léger ‘s ‘The City’, 1919

Senses working overtime

22 March 2014 9:00 am

In 1914 Fernand Léger gave a lecture about modern art. By then recognised as a leading Cubist artist, he had…