Exhibitions
Unreliable evidence
I hadn’t really thought much about pixels before, despite spending a large portion of my day looking at them. After…
Hanging offence
Modern Scottish Men, a new exhibition celebrating the achievements of male artists in the 20th century, opens next month in…
Intelligent design
Peter Mandelson, in his moment of pomp, had his portrait taken by Lord Snowdon. He is sitting on a fine…
Hanging offence
Modern Scottish Men, a new exhibition celebrating the achievements of male artists in the 20th century, opens next month in…
Intelligent design
Peter Mandelson, in his moment of pomp, had his portrait taken by Lord Snowdon. He is sitting on a fine…
Unreliable evidence
I hadn’t really thought much about pixels before, despite spending a large portion of my day looking at them. After…
Repetitive but compelling: Giacometti at the National Portrait Gallery reviewed
One day in 1938 Alberto Giacometti saw a marvellous sight on his bedroom ceiling. It was ‘a thread like a…
Repetitive but compelling: Giacometti at the National Portrait Gallery reviewed
One day in 1938 Alberto Giacometti saw a marvellous sight on his bedroom ceiling. It was ‘a thread like a…
With this Tate Britain exhibition, Frank Auerbach joins the masters
No sooner had I stepped into the private view of Frank Auerbach’s exhibition at Tate Britain than I bumped into…
With this Tate Britain exhibition, Frank Auerbach joins the masters
No sooner had I stepped into the private view of Frank Auerbach’s exhibition at Tate Britain than I bumped into…
Why did Goya’s sitters put up with his brutal honesty?
Sometimes, contrary to a widespread suspicion, critics do get it right. On 17 August, 1798 an anonymous contributor to the…
Why did Goya’s sitters put up with his brutal honesty?
Sometimes, contrary to a widespread suspicion, critics do get it right. On 17 August, 1798 an anonymous contributor to the…
Now you see it, now you don’t
The artist, according to Walter Sickert, ‘is he who can take a piece of flint and wring out of it…
Now you see it, now you don’t
The artist, according to Walter Sickert, ‘is he who can take a piece of flint and wring out of it…
Stars in their eyes
‘The dominant narrative of space,’ I was told, in that strange language curators employ, ‘is America.’ Quite so. Kennedy stared…
Indiscreet astronaut
Among my more bohemian friends in 1980s London, Brion Gysin was a name spoken with a certain awe. He was…
Melting pot
‘Celtic’ is a word heavily charged with meanings. It refers, among other phenomena, to a football club, a group of…
Indiscreet astronaut
Among my more bohemian friends in 1980s London, Brion Gysin was a name spoken with a certain awe. He was…
Stars in their eyes
‘The dominant narrative of space,’ I was told, in that strange language curators employ, ‘is America.’ Quite so. Kennedy stared…
Melting pot
‘Celtic’ is a word heavily charged with meanings. It refers, among other phenomena, to a football club, a group of…
Bursting the bubble
The conventional history of modern art was written on the busy Paris-New York axis, as if nowhere else existed. For…
Lines of beauty
Marshall McLuhan got it at least half right. The medium may not always be the entire message, but it certainly…
Touchy-feely – not
‘The eye is fatigued, perverted, shallow, its culture is degenerate, degraded and obsolete.’ Welcome to the Palpable Art Manifesto of…
The only art is Essex
When I went to visit Edward Bawden he vigorously denied that there were any modern painters in Essex. That may…
French connection
Walter Sickert was fluid in both his art and his personality: changeable in style and technique, mutable in appearance —…
