Arts feature
By Giorgio
Martin Gayford on a radical Nativity that is the subject of one of the great whodunnits of art history
‘I am not able to answer your question’
Hermione Eyre talks to an irascible Paolo Sorrentino about therapy, Vesuvius and why he kept things simple and easy for his latest film
High resolution
Jimmy Chin is part Bear Grylls, part David Attenborough: he both climbs snow, ice and rock and films other mountaineers doing it too, writes Theo Zenou
The Guinea Pig club
Lloyd Evans on a musical that tells the story of the pioneering maverick whose methods for treating disfigured second world war airmen revolutionised plastic surgery
Putting on the glitz
From quartz to quince: Daisy Dunn on the art and science of Fabergé
Modern master
Gossipy, amusing, a little vain, Albrecht Dürer was a 16th-century Andy Warhol, says Martin Gayford
The eyes have it
Stuart Jeffries on the tyranny of the visual
To Di for
Jasper Rees talks to the Chilean director Pablo Larrain about his new film, Spencer, which makes The Crown look like royalist propaganda
Beano rules
Stuart Jeffries on the cultural influence of the comic that said it was good to be bad
O what a lovely Waugh!
Sumptuous, glorious, luminous, lavish: Granada’s 40-year-old adaptation of Brideshead Revisited remains the sine qua non of mini-series, says Mark McGinness
Roll over, Beethoven
Ian Pace on musicology’s culture wars
Comic genius
A global pandemic is no match for the Marvel multiverse, says Rosie Millard
Going for a song
A new musical history is being written for Britain, says Nicola Christie
Giving the devil his due
The Sopranos – the greatest television show in history – far outshines its progenitors, says Tanya Gold
Darkness visible
Translating the story of Jimmy Savile to stage or screen is a creative minefield, says Jonathan Maitland, who knows from first-hand experience
Incredible hulks
Laura Gascoigne on the art of pillboxes
What a farce
Lloyd Evans talks to Nigel Planer about the death of comedy theatre — and how he’s trying to revive it
Should it stay or should it go?
There are many examples of beautiful old buildings being knocked down in favour of undistinguished new ones. But not everything can be preserved in aspic, says Martin Gayford
Still life
Lloyd Evans finds the newly returned Edinburgh Fringe quieter, more low-key — and all the better for it
West End pearl
The newly renovated Theatre Royal Drury Lane has seen it all and staged it all, says Robert Gore-Langton
Apocalypse now
Stuart Jeffries takes the ferry to Orford Ness, a strange shingle spit on the Suffolk coast, where art mingles with death
Money, money – and music
Art is supposed to emerge from poverty but extreme wealth does not preclude talent, as the history of composers proves. By Richard Bratby
North star
Claudia Massie on the unjustly neglected artist Joan Eardley, who deserves to be ranked alongside Auerbach, Bacon and de Kooning
Sense and sensibility
Zoe Dubno on the rise of the ‘sensitivity reader’, a seductively cheap way for publishers to cancel-proof their books






























