Arts feature
Sins of the fathers
A feature film about priests who abuse children is being released on 25 March. Which happens to be Good Friday.…
Rebel angels
The reverence for those involved in the Easter Rising is evident in an exhibition devoted to its centenary, says Harry Mount
Rebel angels
This is the first exhibition I’ve been to where the Prime Minister joined the hacks at the press view. A…
God’s messenger
When the Japanese conductor Masaaki Suzuki leads his forces in a performance of a Bach cantata, does he worry that…
The rite stuff
Theo Hobson explores the enduring appeal that religion has for dramatists
The rite stuff
Religion remains a surprisingly popular subject for plays. It’s partly because there’s already a core of theatricality there, in the…
You’ve been framed
‘I like ordinary people,’ says the extraordinary photographer Martin Parr, pushing a few high-concept smoked sprats around his plate at…
Brothers grim
What is a serious film festival doing opening with Ethan and Joel Coens’ turkey Hail, Caesar!? James Woodall reports from Berlin
Brothers grim
One of the more obscure winners in recent years of the Berlin film festival’s Golden Bear was a version of…
Whodunnit?
Question-marks over attribution are at the heart of a forthcoming Giorgione exhibition. Martin Gayford sifts through the evidence
Whodunnit?
On 7 February 1506, Albrecht Dürer wrote home to his good friend Willibald Pirckheimer in Nuremberg. The great artist was…
Public offence
Listen http://rss.acast.com/viewfrom22/fightingovercrumbs-euroscepticsandtheeudeal/media.mp3 There are, as adman David Ogilvy remarked, no monuments to committees. (That’s not quite true; Auguste Rodin’s ‘Burghers…
Magnetic north
The Norwegian artist Nikolai Astrup has been unjustly overshadowed by Edvard Munch. But that is about to change, says Claudia Massie
Magnetic north
‘Edvard Munch, I cannot abide,’ wrote Nikolai Astrup in a letter to his friend Arne Giverholt. ‘Everything that he does…
Wild at heart
Delacroix’s frigid self-control concealed an emotional volcano. Martin Gayford explores the paradoxes that define the apostle of modernism
Pornographer-in-Chief
What does Andrew Davies have to say to those who accuse him of gratuitous rumpy-pumpy in his adaptations of the classics? Stephen Smith finds out
Wild at heart
At the Louvre the other day there was a small crowd permanently gathered in front of Delacroix’s ‘Liberty Leading the…
Pornographer-in-Chief
Like Black Rod and the Poet Laureate, screenwriter Andrew Davies occupies one of the most colourful and arcane offices in…
Away with the angels?
John Dee liked to talk to spirits but he was no loony witch, says Christopher Howse
Away with the angels?
I remember the shock, like a jolt of static electricity. One day, between taking my degree and beginning my first…
Moving statues
Sculptural topplings provide an index of changing times, says Martin Gayford
Moving statues
One of the stranger disputes of the past few weeks has concerned a Victorian figure that has occupied a niche…






























