Lilacs out of the dead land
April is the cruellest month, but May is shaping up quite pleasantly and the daylight streamed in through the east…
G-force
Imagine growing up with a whole orchestra as your plaything. Richard Strauss’s father was the principal horn of the Munich…
The Muppet show
There are many things to enjoy in the Royal Opera’s revival of Donizetti’s Don Pasquale, but perhaps the most surprising…
Literally Hitler
To be a Wagnerite is to enter the theatre in a state of paranoia. Mainstream culture has decided that Wagner…
Colour in the gloom
Music and politics don’t mix, runs the platitude. Looks a bit tattered now, doesn’t it? For Soviet musicians, of course,…
After the love has gone
Utopia, Limited (1893) is a rare bird, and one that every Gilbert and Sullivan completist simply has to bag. The…
Bird brained
Blame it on Serge Diaghilev. Rimsky-Korsakov died in 1908 and never saw the première of his last opera, The Golden…
Great Britten
No question, the Royal Opera is on a roll. Just look at the cast list alone for Deborah Warner’s new…
Away with the fairies
Scottish Opera’s new production of Britten’s A Midsummer Night’s Dream seems to open in midwinter. Snow falls, fairies hurl snowballs…
Me time
I think it was when she leaned forward and balanced on one leg that Barbara Hannigan jumped the shark. It…
Refugees from Moominland
Spoiler alert. The last words in Janacek’s The Cunning Little Vixen come from a child playing a frog. The story…
Star power and spectacle
London felt like its old self on Friday night. Possibly it was just me; when you visit the capital once…
Pot-washers and pole-dancers
The Royal Opera has come over all baroque. In the Linbury Theatre, they’re hosting Irish National Opera’s production of Vivaldi’s…
The cowpat myth
He is caricatured as a populist and purveyor of ‘folky-wolky’ melodies, says Richard Bratby, but Vaughan Williams was a modernist master of uncompromising originality
There will be blood
Say what you like about that Duke of Mantua, but he’s basically an OK sort of bloke. A bit of…
Chorus of approval
Nabucco, said Giuseppe Verdi, ‘was born under a lucky star’. It was both his last throw of the dice and…
Booster shots of sunlight
Sir Simon Rattle and the London Symphony Orchestra began the year with a world première. Unsuk Chin’s Second Violin Concerto…
Business as usual
It’s 2022 and classical music is, again, dead. It’d be surprising if it wasn’t. In 2014 the New Yorker published…
From Russia with love
The enduring appeal of The Nutcracker. Tchaikovsky’s ravishing score is nothing less than the sound of Christmas
Orpheus Chamber Orchestra
Grade: B It must have been an interesting day in the Orpheus Chamber Orchestra’s press office when Blair Tindall’s memoir…
Liquid silk
That strain again… it’s the morning after the concert and one tune is still there, playing in the head upon…
Sublime – and ridiculous
It’s the final scene of The Valkyrie and Wotan is wearing cords. They’re a sensible choice for a hard-working deity:…
Whistling the scenery
With Glyndebourne’s The Rake’s Progress, the show starts with David Hockney’s front cloth. The colour, the ingenuity, the visual bravura:…
Showtime
Until 1881, HMS Pinafore was the second-longest-running show in West End history. Within a year of its première it had…
Satisfaction guaranteed
‘Drammatico’, wrote César Franck over the opening of his Piano Quintet, and you’d better believe he meant it. The score…
