<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Dance

The genius of Tchaikovsky's Nutcracker score

The enduring appeal of The Nutcracker. Tchaikovsky’s ravishing score is nothing less than the sound of Christmas

18 December 2021

9:00 AM

18 December 2021

9:00 AM

By all accounts, Tchaikovsky struggled to compose The Nutcracker. It wasn’t his idea of an effective ballet scenario, and he was unimpressed with the choreographer Marius Petipa’s prettified storyline. Mid-composition, he learned of the death of his younger sister Alexandra. ‘Even more than yesterday, I feel absolutely incapable of depicting the Kingdom of Sweets in music,’ he wrote.

Already a subscriber? Log in

Get 10 issues
for $10

Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $10.

  • Delivery of the weekly magazine
  • Unlimited access to spectator.com.au and app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

The Nutcracker is at the Royal Opera House (RB) until 8 January, the Coliseum (ENB) until 8 January, the Royal Albert Hall (BRB) from 28–31 December, at Sadler’s Wells (Matthew Bourne) until 30 January, and at the Festival Theatre, Edinburgh, and touring (Scottish Ballet), until 12 February.

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close