Richard Bratby

They’re creepy and they’re kooky

1 April 2023 9:00 am

English National Opera has arrived at the Dead City, and who, before Christmas, would have given odds that this new…

Make mine a triple

25 March 2023 9:00 am

It does no harm, once in a while, to assume that the creators of an opera actually know what they’re…

Hot stuff

11 March 2023 9:00 am

Hector Berlioz dismissed Handel as ‘that tub of pork and beer’ but it wasn’t always like that. Picture a younger,…

Dated and dreadful

4 March 2023 9:00 am

Careful what you wish for. There can be no definitive way to stage an opera, and it’s the critic’s duty…

Talking trash

25 February 2023 9:00 am

On Finchleystrasse

18 February 2023 9:00 am

Halfway up the stairs to the Royal College of Music’s exhibition Music, Migration & Mobility is a map of NW3,…

Revival of the fittest

11 February 2023 9:00 am

Opera North has begun 2023 with a couple of big revivals, and it’s always rewarding to call in on these…

Screen time

4 February 2023 9:00 am

A classical concert programme is like a set menu, and for this palate the most tempting orchestral offering in the…

Mersey boy

28 January 2023 9:00 am

Daniel Barenboim was supposed to perform with the Royal Liverpool Philharmonic Orchestra earlier this month. His recent health concerns made…

Midnight sun

18 January 2023 10:00 pm

Conduct unbecoming

7 January 2023 9:00 am

Richard Bratby on monstrous maestros

Blowing hot…

17 December 2022 9:00 am

Temperature records for Los Angeles in the summer of 1945 are patchy, but 90 in the shade seems to have…

The greatest showman

10 December 2022 9:00 am

Only boring people are bored by Ravel’s Boléro. True, the composer – the slyest of wits – left his share…

As camp as Christmas

3 December 2022 9:00 am

Whoosh! A digital starburst, a sweep of orchestral sound and the stage of the Coliseum is alive with dancing, whirling…

Sexy time all the way

19 November 2022 9:00 am

A hotel bellboy, the story goes, discovered George Best in a luxury suite surrounded by scantily clad lovelies and empty…

Towering achievement

12 November 2022 9:00 am

The screw may twist and the rack may turn: the Tower of London, in Jo Davies’s new production of The…

The eyes have it

5 November 2022 9:00 am

Do you remember Osvaldo Golijov? Two decades ago he was classical music’s Next Big Thing: a credible postmodernist with a…

But what about the plot?

29 October 2022 9:00 am

You wouldn’t like Tamerlano when he’s angry. ‘My heart seethes with rage,’ he sings, in Act III of Handel’s opera…

Miniature rite of spring

22 October 2022 9:00 am

Imagine a folk dance without music. Actually, you don’t have to: poke about on YouTube and you’ll find footage from…

Fifty shades of grey

8 October 2022 9:00 am

Grey. More grey. So very, very grey. That’s the main visual impression left by Robert Carsen’s new production of Verdi’s…

Losing the plot

1 October 2022 9:00 am

Leos Janacek disliked long operas, and the first act of The Makropulos Affair is a masterclass in how to set…

More depravity, please

24 September 2022 9:00 am

The first night of the new season at Covent Garden was cancelled when the solemn news came through. The second…

A fine romance

10 September 2022 9:00 am

One swallow might not make a summer, but it certainly helps rounds the season off. ‘Perhaps, like the swallow, you…

Hail, César!

3 September 2022 9:00 am

In the Rodgers and Hart musical On Your Toes, a Broadway hoofer is forced to work at a community college,…

Joyous freefall

20 August 2022 9:00 am

The first part of the adventure was getting there. Out of the subway, past the tower blocks and under the…