Out of sight, out of mind
Yoko Ogawa’s new novel takes us to a Japanese island where things keep disappearing: ribbons, birds, musical instruments, fruit. People,…
Writing as revenge: Memories of the Future, by Siri Hustvedt, reviewed
Why are people interested in their past? One possible reason is that you can interact with it, recruiting it as…
The best way to defeat totalitarianism? Treat it as a joke
Is there anything one can never laugh about? A question inevitably hanging over humour writing, it’s best answered by the…
‘We are not cattle, we’re people’: everyday hell in Stalin’s labour camps
‘No testimony from this time must ever be forgotten,’ the great Lithuanian poet Tomas Venclova says in his afterword to…
The Book of Joan: part apocalyptic tale, part erotic poem
Does J.G. Ballard’s ‘disquieting equation’, ‘sex x technology = the future’, still hold? Not in Lidia Yuknavitch’s novel, which imagines…
Putting the boot into Italy
A young woman, naked and covered in blood, totters numbly down a night road. A driver spots her in his…
Sexual tension and Siberian magic mushrooms
On her arrival in Russia in 1914, Gerty Freely finds it refreshingly liberal compared to her native Britain: here servants…
Maxim Gorky’s revolutionaries are ready for martyrdom
Maxim Gorky was trumpeted as ‘the great proletarian writer’ by Soviet critics, who considered his novel The Mother one of…
Umberto Eco really tries our patience
Colonna, the protagonist of Umberto Eco’s latest novel, is the first to admit he is a loser. A middle-aged literary…
The road to Lolita: why Nabokov’s literary talent finally blossomed in America
Speak, Memory, Vladimir Nabokov’s nostalgic memoir, reflects on his life from the age of three to 41, taking us from…
Welcome to the world of Big Byz
The title of Victor Pelevin’s 2011 novel stands for ‘Special Newsreel/Universal Feature Film’. This product is made by the narrator,…
Both lyricist and agitator: the split personality of Vladimir Mayakovsky
Why increase the number of suicides? Better to increase the output of ink! wrote Vladimir Mayakovsky in 1926 in response…
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