Dance
I miss the faint hiss of a spinning foot: Royal Ballet – Live reviewed
Ballet lovers driven square-eyed by a drip feed of livestreaming and archive footage have been pining for the patter of…
Tranquil, silky and serene: Birmingham Royal Ballet’s Lazuli Sky reviewed
When Carlos Acosta was named artistic director of Birmingham Royal Ballet in January of this year, he announced ambitious plans…
The Royal Ballet's return was joyous – but the presenter was gushing and witless
Mothballed since March when it danced a farewell Swan Lake, the Royal Ballet made a triumphant and joyous return to…
Vigour and verve from a unique new Rite of Spring: Dancing at Dusk reviewed
Dancing at Dusk captures the final rehearsal of a new version of Pina Bausch’s The Rite of Spring. It’s only…
Sensual and silky: the Royal Ballet returns to Covent Garden
Wayne McGregor’s Morgen! and Frederick Ashton’s Dance of the Blessed Spirits are the first pieces of live dance — streamed…
The genius of Martha Graham
If eight weeks in lockdown have brought out my baser impulses (biscuits by the sleeve, total renunciation of waistbands), it’s…
Watching dance online is an advantage, not a concession: BalletBoyz – Deluxe reviewed
Another day in isolation, another bid to find joy in my lone state-sanctioned walk. (Pro tip: stay out longer than…
Another triumph for Crystal Pite and Jonathon Young at Sadler’s Wells
It must have been hard for Crystal Pite and Jonathan Young to live up to the success of 2016’s devastating…
A bruising encounter: Pina Bausch's Bluebeard reviewed
Pina Bausch’s best work always hovered between the familiar and the unknown. The late choreographer revelled in borders and thresholds,…
Chilling: Arthur Pita’s The Little Match Girl at Sadler’s Wells reviewed
Did your feet twitch? That’s the test of The Red Shoes. Did your toes point? Your ankles flex? Your arches…
How to make a Christmas ballet hit: behind the scenes at Scottish Ballet’s Snow Queen
Ballet, like bread sauce and green chartreuse, is often just a Christmas thing and the UK’s national companies plan their…
Unsettlingly faithful to the spirit of Schiele: Staging Schiele reviewed
‘Come up and see my Schieles.’ Those were the words that ended a friend’s fledgling relationship with an art collector.…
Manon can be magnificent, this one was merely meh
Manon: minx or martyr? There are two ways to play Kenneth MacMillan’s courtesan. Is Manon an ingénue, a guileless country…
Silly but stellar: Bolshoi Ballet’s Spartacus reviewed
It’s togas-a-go-go as the Bolshoi bring Yuri Grigorovich’s 1956 ballet Spartacus to the Royal Opera House. Oh dear, I did…
Pam Tanowitz’s Four Quartets is a revelation
T.S. Eliot’s Four Quartets is full of music and movement. The players, such as they are, slip, slide, shake, tumble,…
Sidi Larbi Cherkaoui’s #MeToo Medusa is a bad hair day from Hades
Medusa is the bad hair day from Hades. Sidi Larbi Cherkaoui’s retelling of the Greek myth is frizzy, tangled and…
Still far from perfect but chaps will like it: Royal Ballet’s Frankenstein reviewed
Choreographer Richard Alston is now 70 and his latest outing at Sadler’s Wells is a greatest hits medley. As with…
Almost triumphs over the absurdity of its premise: Northern Ballet’s Victoria reviewed
Blame Kenneth MacMillan. The great Royal Ballet choreographer of the 1960s, 70s and 80s was convinced that narrative dance could…
Forget the Don – come for the Mataphwoar Ryoichi Hirano: Royal Ballet’s Don Quixote reviewed
The trouble with Don Quixote is Don Quixote. Whenever the doddering, delusional Don is onstage, tilting at windmills, riding his…
One nasty moment aside, the ENB’s Manon is superlative
If you like the BBC’s Les Misérables, you’ll love English National Ballet’s Manon. Manon, in Kenneth MacMillan’s telling, is The…
January as you would wish it: Royal Ballet’s Les Patineurs reviewed
The Royal Ballet’s Les Patineurs is January as you would wish it. No slush, no new-year sales, no streaming chest…
You’ll have shivers down your spine and tears in your eyes: Royal Ballet’s Nutcracker reviewed
Not another Nutcracker, I thought on the way to the Opera House. Haven’t we had our fill of Sugar Plums?…
Has the Royal Ballet found its hero?
The Royal Ballet is a company in search of a prince. It has no lack of dancing princesses. You could…
How could anyone object to the Royal Ballet engaging in cultural appropriation?
La Bayadère opens with a sacred flame and ends with an earthquake. In between, Marius Petipa’s ballet of 1877 gives…
Why does the English National Ballet bother taking Manon to the provinces?
Like it or not, provincial ballet audiences love a story they can hum and any director planning to tour a…
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