Seattle

In Max Frisch’s 1953 absurdist play The Fire Raisers, a well-off family in an unnamed town invites a man they suspect of being an arsonist to sleep in their home. A second such guest then appears, and before long the family’s attic is piled high with drums of gasoline. The man of the house gradually realizes that he has two active pyromaniacs under his roof, but believes that by displaying kindness, he will make his house immune to them.