<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Arts feature

The forgotten female composer fêted by Mozart and Haydn

Selina Mills on Maria Theresia von Paradis, the gifted but forgotten 18th-century composer, whose story will finally be told in a new chamber opera

12 September 2020

9:00 AM

12 September 2020

9:00 AM

A few years ago, I was sitting in the London Library researching a book about blind people across the ages. As a semi-blind person myself, I sighed at the lack of women, other than the endlessly chipper Helen Keller, who never had a bad day. Ever.

My sister, however, drew my attention to a two-line wiki entry for the 18th-century composer, singer and professor — and darling of the Viennese musical court — Maria Theresia von Paradis (1759–1824).

Already a subscriber? Log in

Easter flash sale:
10 issues for $1

Subscribe this Easter and get the next 10 issues of the magazine, plus website and app access, all for just $1.

  • Weekly delivery of the magazine
  • Unlimited access to spectator.com.au and app
  • Spectator Australia podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock 3 articles a month

REGISTER

Watch The Making of Paradis, a documentary about the opera The Paradis Files, on 25 September at 7 p.m. at the Tête à Tête opera festival’s website: www.tete-a-tete.org.uk/event/the-paradis-files/

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Easter flash sale: 10 issues for $1

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close