The Duchess of Malfi is one of those classics that everyone knows by name but not many have witnessed on stage. So a production is likely to attract theatre-goers who feel they ‘ought to’ see it rather than ‘want to’. This may have affected the Almeida’s version which is opaque and almost impossible to follow.
Already a subscriber? Log in
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
SUBSCRIBEAlready a subscriber? Log in