It was hailed as a masterpiece at its premiere in Vienna in 1786; it still is a masterpiece. The Marriage of Figaro was revolutionary, both musically and textually. Mozart and his librettist Lorenzo Da Ponte created, in effect, a new form of opera; one in which the drama was advanced in the arias and ensembles unlike the form up to that time of recitative being used to tell the story.
Already a subscriber? Log in
Get 10 issues
for $10
Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $10.
- Delivery of the weekly magazine
- Unlimited access to spectator.com.au and app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in