The Adèsives were out in force at Covent Garden last Monday for the UK première of their hero’s third opera, The Exterminating Angel, unable to contain their rapture until the piece was over, yelling their excitement even at the interval. Thomas Adès’s opera is closely based on Buñuel’s film of 1962, with the text adapted by the composer and Tom Cairns, who also directs the production, which was first seen last July in Salzburg, with a cast mainly identical to the Royal Opera’s.
Already a subscriber? Log in
Get 3 months of digital access, absolutely free
Subscribe to The Spectator Australia today to get the next 3 months of unlimited website and app access for free.
- Full access to spectator.com.au and spectator.co.uk
- The Spectator Australia app, on Apple and Android
- Podcasts and newsletters, including Morning Double Shot
- Our archive, going back to 1828
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Get 3 months of digital access, absolutely free
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
CLAIM OFFER 3 months freeAlready a subscriber? Log in