<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Opera

…Long live ENO!

25 February 2016

3:00 PM

25 February 2016

3:00 PM

The three most moving, transporting death scenes in 19th-century opera all involve the respective heroines mounting a funeral pyre — partly, no doubt, a matter of operatic convention and fashion, but also recalling opera to its duty as a rite of purification. Berlioz’s Didon in Les Troyens, like her creator, is so relentless in her grasp of the truth that she fails to achieve anything but a vision of Carthage overcome by Rome, and ends in despair and execration.

Already a subscriber? Log in

Easter flash sale:
10 issues for $1

Subscribe this Easter and get the next 10 issues of the magazine, plus website and app access, all for just $1.

  • Weekly delivery of the magazine
  • Unlimited access to spectator.com.au and app
  • Spectator Australia podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock 3 articles a month

REGISTER


Comments

Easter flash sale: 10 issues for $1

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close