Michael Craig-Martin has had a paradoxical career. He is, I think, a disciple of Marcel Duchamp. But the latter famously gave up painting in favour of something more conceptual — ready-mades and whatnot — whereas Craig-Martin began with Duchampian concepts. He once exhibited a glass of water on a shelf together with a claim that he had mentally transformed these, by a kind of transubstantiation, into an oak tree.
Already a subscriber? Log in
Easter flash sale:
10 issues for $1
Subscribe this Easter and get the next 10 issues of the magazine, plus website and app access, all for just $1.
- Weekly delivery of the magazine
- Unlimited access to spectator.com.au and app
- Spectator Australia podcasts and newsletters
- Full access to spectator.co.uk
Or
Comments
Easter flash sale: 10 issues for $1
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
CLAIM OFFER 10 issues for $1Already a subscriber? Log in