<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Books

While I was wining and dining bands, the future of the music industry was stealing CDs in North Carolina

We 1990 record executives didn’t know what was about to hit us. Stephen Witt’s How Music Got Free explains it all

13 June 2015

9:00 AM

13 June 2015

9:00 AM

How Music Got Free: The End of an Industry, the Turn of the Century and the Patient Zero of Piracy Stephen Witt

Viking, pp.304, £20, ISBN: 9781847922823

In 1994 I was working in marketing at London Records, a frothy pop label part-owned by the Polygram Group — both long gone, swallowed up by Warner Bros. That summer some Americans came into our office to pitch us a project. Rather than unfurling some band or singer, they wanted to talk about technology, specifically the internet and what it would mean to our business in the future.

Already a subscriber? Log in

Easter flash sale:
10 issues for $1

Subscribe this Easter and get the next 10 issues of the magazine, plus website and app access, all for just $1.

  • Weekly delivery of the magazine
  • Unlimited access to spectator.com.au and app
  • Spectator Australia podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock 3 articles a month

REGISTER

Available from the Spectator Bookshop, £17 Tel: 08430 600033

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Easter flash sale: 10 issues for $1

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close