<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Opera

Wagner at the Proms

17 August 2013

9:00 AM

17 August 2013

9:00 AM

Tristan und Isolde; Tannhäuser

Proms

Carmen

Sydney Harbour

It would be interesting to know why Tristan und Isolde was placed in the Proms programme in between Siegfried and Götterdämmerung. You might as well programme Othello between acts four and five of King Lear. Wagner wrote Tristan and Die Meistersinger between acts two and three of Siegfried, and to be really chic some company should have mounted the Ring and the two others in that order.

Already a subscriber? Log in

Get 10 issues
for $10

Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $10.

  • Delivery of the weekly magazine
  • Unlimited access to spectator.com.au and app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close