video art

The latest Venice Biennale is ideologically and aesthetically bankrupt

27 April 2024 9:00 am

Last week’s opening of the 60th edition of the Venice Biennale marks a watershed for the art world. In much…

What's an art form that feels unpopular and pointless, but isn't? Video art

12 December 2020 9:00 am

How did the universe begin? Did the great god Bumba vomit us up, as the Kuba believe? Or did we…

A high-end car-boot sale of the unconscious: Colnaghi’s Dreamsongs reviewed

17 October 2020 9:00 am

In 1772 the 15-year-old Mozart wrote a one-act opera set, like The Magic Flute, in a dream world. Il sogno…

English National Opera's triumphant new production of Harrison Birtwistle's The Mask of Orpheus, directed by Daniel Kramer. [Photo: Alistair Muir]

A triumph: ENO’s Mask of Orpheus reviewed

26 October 2019 9:00 am

ENO’s Mask of Orpheus is a triumph. It’s also unintelligible. Even David Pountney, who produced the original ENO staging in…

‘Paean’ (1973) by Bridget Riley

Where are the art fans in Edinburgh? Getting their eyes frazzled by Bridget Riley

17 August 2019 9:00 am

The old observatory on Edinburgh’s Calton Hill may be the most favourably positioned art venue in the world. Recently resurrected…

‘Tristan’s Ascension’, 2005, by Bill Viola

The odd couple: Bill Viola / Michelangelo at the RA reviewed

2 February 2019 9:00 am

The joint exhibition of Michelangelo Buonarroti and Bill Viola at the Royal Academy is, at first glance, an extremely improbable…

The earliest aerial drawing, made from a balloon basket, by Thomas Baldwin, 1785, left, and Apollo 8’s ‘Earthrise’, right, 50 years old

How the world was turned upside down by revelation of aerial perspectives

16 June 2018 9:00 am

‘To look at ourselves from afar,’ Julian Barnes wrote in Levels of Life, ‘to make the subjective suddenly objective: this…

What is it about Bill Viola’s films that reduce grown-ups to tears?

17 October 2015 8:00 am

What is it about Bill Viola's films that reduce grown-ups to tears? William Cook dries his eyes and talks to the video artist about Zen, loss and nearly drowning

One of Céleste Boursier-Mougenot’s Scots pines in the French Pavilion

Martin Gayford finds a few nice paintings amid the dead trees, old clothes and agitprop of the Venice Biennale

16 May 2015 9:00 am

Martin Gayford finds a few nice paintings amid the dead trees, old clothes and agitprop of the Venice Biennale