Theatre
Cream of the crop
Theatres can open if they want to. That’s the current position. The only factor keeping a playhouse dark is a…
Cannibalism meets feminism
In Bad Taste is a slapstick comedy about five female terrorists who murder the governor of the Bank of England.…
A conspiracy against art
Southwark Playhouse has revived an American show, The Last Five Years, whose run was cancelled in March. In advance, I…
Sins of the fathers, music of the sons
When Kwame Kwei-Armah took over the Young Vic he strapped a ‘Black Lives Matter’ sign over the front of the…
Are you reading this, Rishi?
Curious thing, writer’s block. If you believe it exists. Terry Pratchett didn’t. ‘There’s no such thing,’ he said. ‘It was…
The odd couple
Collectors of TV titles that sound as if they were thought of by Alan Partridge will presumably have spotted Danny…
Five-star blarney
The Old Vic refuses to reopen. Director Matthew Warchus says the social distancing rules make it impossible for him to…
Letters
China’s covered Sir: If Charles Moore had contacted the BBC, rather than conducting a fruitless Google search, we would have…
Marshal law
Covid marshals have invaded theatreland. Arriving for a weekday matinee at the Bridge, I was greeted by stewards holding up…
Wet wet wet
It has roughly the same proportions as Shakespeare’s Globe. The Roman Theatre in Verulamium (St Albans) is an atmospheric ruin…
National review
Why does the state fund theatres and not gardening and bingo, asks Lloyd Evans
Are the wheels coming off Rolls-Royce?
Along, cold weekend brought a haul of business news more bad than good. The worst was from aero-engine maker Rolls-Royce,…
Mum’s the word
The virus has broken Edinburgh. The shattered remnants of the festival are visible on the internet. Here’s what happened. The…
When things fall apart
Okay, I admit it. I have a girl crush on Juliet Stevenson. Ever since I first saw her in the…
‘Theatre is back!’
So the madness continues. Planes full of passengers are going everywhere. Theatres full of ghosts are going bust. My first…
Soho moonwalk
Back to the West End at last. After a four- month lay-off, I grabbed the first available chance to catch…
The death of theatre
Auditoriums can now reopen — but they will resemble prison camps, says Lloyd Evans
Orbs and triangles
The BBC announces Merchant of Venice as if it were a Hollywood blockbuster. ‘In the melting pot of Venice, trade…
Net effect
Let’s face it. Theatre via the internet is barely theatre. It takes a huge amount of creativity and inventiveness to…
No laughing matter
The RSC’s 2014 version of Much Ado is breathtaking to look at. Sets, lighting and costumes are exquisitely done, even…
A bailout for the arts is good but reopening would have been better
The government’s £1.57 billion lifeline for the cultural sector was bigger than most practitioners were expecting — and drew a…
Barometer
Price of protest Greenpeace was fined £80,000 for defying a court order and occupying an oil rig in the North…
Going underground
Leaf Arbuthnot and Igor Toronyi-Lalic on the new cultural rebels
The Bard in the bedroom
Nicholas Hytner’s A Midsummer Night’s Dream opens in a world of puritanical austerity. The cast wear sombre black costumes and…
Audio onanism
In Beeb-dominated Britain, the commercial triumph of podcasting — epitomised by Spotify’s recent £100 million deals with Joe Rogan and…
