Stravinsky

Opera North’s Rite of Spring shows the advantages of confining the music to the pit

2 March 2019 9:00 am

It was Stravinsky himself who suggested that, in order to preserve its difficulty, the opening bassoon solo of The Rite…

Beauty and the beast

30 September 2017 9:00 am

I was going to start with a little moan. About the shouty marketing, the digital diarrhoea, the sycophantic drivel, which,…

Power of two: Martha Argerich and Daniel Barenboim play a duet at this year’s Lucerne Festival

Mistaken identity

26 August 2017 9:00 am

This year’s Lucerne Festival is given its identity by having as its theme ‘Identity’. Since the word doesn’t mean anything,…

Not a repertory piece but in its dignity it earns respect: Royal Opera’s Oedipe reviewed

28 May 2016 9:00 am

For years I have been telling people that they should listen to, in the absence of staged performances, Enescu’s opera…

Millepied’s final spring programme for the Paris Opera Ballet is brazenly American

9 April 2016 9:00 am

Paris Opera Ballet plays hard to get. It doesn’t deign to travel all the way over here, thanks to a…

Spare us this unanimous chorus of praise for Pierre Boulez

16 January 2016 9:00 am

Pierre Boulez, who died last week at the age of 90, would have been the last person, one hopes, to…

Can this year’s Gesualdo celebrations be about the music rather than the blood and gore?

2 January 2016 9:00 am

The allure of Carlo Gesualdo, eighth Count of Conza and third Prince of Venosa, has been felt by music-lovers from…

Opera in Edinburgh: even the best Stravinsky can’t beat mediocre Mozart

22 August 2015 9:00 am

Is Stravinsky’s The Rake’s Progress anything more than an exercise in style? ‘I will lace each aria into a tight…

Left to right: Peter Hoare (Fatty), Anne Sofie von Otter (Leocadia Begbick), Willard White (Trinity Moses)

Royal Opera's Rise and Fall of the City of Mahagonny review: far too well behaved

21 March 2015 9:00 am

Brecht/Weill’s Rise and Fall of the City of Mahagonny was premièred in 1930, Auden/Stravinsky’s The Rake’s Progress in 1951. Twenty-one…

How Claudio Abbado bridged old and new

1 February 2014 9:00 am

Not long ago the great conductors of classical music were general practitioners. They expected to give satisfactory interpretations of music…

A century before Miley Cyrus, it was male performers — like Nijinsky — who bared all 

7 December 2013 9:00 am

While the airwaves resonate with celebrations of Britten’s birth, I cannot help thinking that what was happening in Paris at…