Rubens
An immensely rich show – though it consists of only two paintings: Rubens at the Wallace Collection reviewed
‘When pictures painted as companions are separated,’ John Constable wisely observed, ‘the purchaser of one, without being aware of it,…
The joy of socially distanced gallery-going
Not long after the pubs, big galleries have all started to reopen, like flowers unfolding, one by one. The timing…
A sumptuous feast of an exhibition: Charles I at the Royal Academy reviewed
Peter Paul Rubens thought highly of Charles I’s art collection. ‘When it comes to fine pictures by the hands of…
Antwerp: the compact, charming capital of a country that doesn’t quite exist yet
Napoleon didn’t think much of Antwerp. ‘Scarcely a European city at all,’ he scoffed. If only he could see it…
Rubens and His Legacy at the Royal Academy reviewed: his imitators fall short of their master miserably
The main spring offering at the Royal Academy, Rubens and His Legacy: Van Dyck to Cézanne, teaches two useful lessons.…
How will the British public take to Rubens’s fatties?
Are Rubens’s figures too fat for the British to appreciate them? Martin Gayford investigates
2015 in exhibitions - painting still rules
The art on show over the coming year demonstrates that we still live in an age of mighty painters, says Martin Gayford
Curator-driven ambitions mar this Constable show at the V&A
The V&A has an unparalleled collection of hundreds of works by John Constable (1776–1837), but hardly anyone seems to know…
Why everyone loves Rembrandt
Talking of Rembrandt’s ‘The Jewish Bride’ to a friend, Vincent van Gogh went — characteristically — over the top. ‘I…
