Rubens

Proof that Rubens really was a champion of the female sex: Rubens & Women, at the Dulwich Picture Gallery reviewed

14 October 2023 9:00 am

‘She is a princess endowed with all the virtues of sex; long experience has taught her how to govern these…

The supreme pictures of the Courtauld finally have a home of equal magnificence

20 November 2021 9:00 am

When the Courtauld Gallery’s impressionist pictures were shown at the Fondation Louis Vuitton in Paris in 2019, the Parisian public…

An immensely rich show – though it consists of only two paintings: Rubens at the Wallace Collection reviewed

5 June 2021 9:00 am

‘When pictures painted as companions are separated,’ John Constable wisely observed, ‘the purchaser of one, without being aware of it,…

The joy of socially distanced gallery-going

11 July 2020 9:00 am

Not long after the pubs, big galleries have all started to reopen, like flowers unfolding, one by one. The timing…

‘Anne Cresacre’, c.1527, by Hans Holbein the Younger

A sumptuous feast of an exhibition: Charles I at the Royal Academy reviewed

27 January 2018 9:00 am

Peter Paul Rubens thought highly of Charles I’s art collection. ‘When it comes to fine pictures by the hands of…

Guild houses in the Grote Markt, Antwerp

Antwerp: the compact, charming capital of a country that doesn’t quite exist yet

23 May 2015 9:00 am

Napoleon didn’t think much of Antwerp. ‘Scarcely a European city at all,’ he scoffed. If only he could see it…

Weight watching: ‘Three Bathers’, c.1875, by Paul Cézanne

Rubens and His Legacy at the Royal Academy reviewed: his imitators fall short of their master miserably

31 January 2015 9:00 am

The main spring offering at the Royal Academy, Rubens and His Legacy: Van Dyck to Cézanne, teaches two useful lessons.…

‘Pan and Syrinx’, 1617, by Peter Paul Rubens

How will the British public take to Rubens’s fatties?

24 January 2015 9:00 am

Are Rubens’s figures too fat for the British to appreciate them? Martin Gayford investigates

‘Woman at Her Toilette’, 1875/80, by Berthe Morisot

2015 in exhibitions - painting still rules

3 January 2015 9:00 am

The art on show over the coming year demonstrates that we still live in an age of mighty painters, says Martin Gayford

‘Water-meadows near Salisbury’, 1829/30, by John Constable

Curator-driven ambitions mar this Constable show at the V&A

4 October 2014 9:00 am

The V&A has an unparalleled collection of hundreds of works by John Constable (1776–1837), but hardly anyone seems to know…

Portrait of a couple as Isaac and Rebecca, known as ‘The Jewish Bride’, c.1665, by Rembrandt

Why everyone loves Rembrandt

27 September 2014 8:00 am

Talking of Rembrandt’s ‘The Jewish Bride’ to a friend, Vincent van Gogh went — characteristically — over the top. ‘I…