Rubens

‘Anne Cresacre’, c.1527, by Hans Holbein the Younger

A sumptuous feast of an exhibition: Charles I at the Royal Academy reviewed

27 January 2018 9:00 am

Peter Paul Rubens thought highly of Charles I’s art collection. ‘When it comes to fine pictures by the hands of…

Guild houses in the Grote Markt, Antwerp

Antwerp: the compact, charming capital of a country that doesn’t quite exist yet

23 May 2015 9:00 am

Napoleon didn’t think much of Antwerp. ‘Scarcely a European city at all,’ he scoffed. If only he could see it…

Weight watching: ‘Three Bathers’, c.1875, by Paul Cézanne

Rubens and His Legacy at the Royal Academy reviewed: his imitators fall short of their master miserably

31 January 2015 9:00 am

The main spring offering at the Royal Academy, Rubens and His Legacy: Van Dyck to Cézanne, teaches two useful lessons.…

‘Pan and Syrinx’, 1617, by Peter Paul Rubens

How will the British public take to Rubens’s fatties?

24 January 2015 9:00 am

This week a monumental exhibition, Rubens and His Legacy, is opening at the Royal Academy. It makes the case —…

‘Woman at Her Toilette’, 1875/80, by Berthe Morisot

2015 in exhibitions - painting still rules

3 January 2015 9:00 am

The New Year is a time for reflections as well as resolutions. So here is one of mine. In the…

‘Water-meadows near Salisbury’, 1829/30, by John Constable

Curator-driven ambitions mar this Constable show at the V&A

4 October 2014 9:00 am

The V&A has an unparalleled collection of hundreds of works by John Constable (1776–1837), but hardly anyone seems to know…

Portrait of a couple as Isaac and Rebecca, known as ‘The Jewish Bride’, c.1665, by Rembrandt

Why everyone loves Rembrandt

27 September 2014 8:00 am

Talking of Rembrandt’s ‘The Jewish Bride’ to a friend, Vincent van Gogh went — characteristically — over the top. ‘I…