RSC
The bald truth about Patrick Stewart
The actor best known for his role as Star Trek’s Captain Picard comes across as pompous, chippy and point-scoring as he reminisces about directors and fellow stars
How Facebook became a freedom-gobbling corporate monster
Southwark Playhouse is beating the latest lockdown with a zingy new musical about social media. The performers, Francesca Forristal and…
Reflections on isolation: the first lockdown dramas reviewed
High Tide got there first. The East Anglian theatre company has produced a series of lockdown mini-dramas, Love in the…
Riveting and beautifully staged analysis of totalitarianism: Arcola’s #WeAreArrested reviewed
When the RSC does modern drama it usually lays on an ultra-worthy yarn with a huge cast, dozens of fancy…
Lee Evans’s acrobatic clowning is the best thing about Pinter Three
Pinter Three appeals to opposite poles of the play-going spectrum. The birdbrains like me will enjoy the music-hall sketches while…
A champion actor and fully paid-up member of the human race: Roger Allam interviewed
A most excellent fellow, Roger Allam. On the stage he brings dignity to all he does, in the noblest traditions…
This year's must-see Shakespeare? Four hours of history in Dutch
James Woodall talks to the Belgian director Ivo van Hove, who has brought a swathe of Shakespeare’s history plays to the stage in Dutch (four hours of it)
Shakespeare at his freest and most exuberant: The Wars of the Roses reviewed
The RSC’s The Wars of the Roses solves a peculiar literary problem. Shakespeare’s earliest history plays are entitled Henry VI…
Shakespeare's Wars of the Roses is being staged without a single black actor. So what?
Trevor Nunn is staging Shakespeare’s Wars of the Roses without a single black actor. So what, says Robert Gore-Langton
Don’t listen to Amadeus - this Salieri opera is better than Mozart
Magical transformations are a commonplace of opera. We see our heroes turned into animals, trees, statues; witness wild beasts turned…
Trevor Nunn’s Volpone reviewed: Henry Goodman bewitches the audience by doing nothing wittily
Easy playwright to get on with, Ben Jonson. His world is simple, his tastes endearing. He likes golden-hearted swindlers and…
Even those who reviled Thatcher will be moved, appalled and astonished: Dead Sheep at the Park reviewed
Dead Sheep is a curious dramatic half-breed that examines Geoffrey Howe’s troubled relationship with Margaret Thatcher. Structurally it’s a Mexican…
Why are Shakespeare’s women so feeble?
Shakespeare did not give his female characters pivotal roles, but some of his contemporaries did, as Lloyd Evans discovers
The Thomas Cromwell plays would be stronger if they made him weaker
Three things you might not expect of the RSC’s adaptation of Hilary Mantel’s Tudor novels. First, Mike Poulton’s plays have…
James Delingpole: I'm in love with Shakespeare — and with David Tennant's Richard II
‘Dad, it’s three hours long,’ says Boy, worriedly. ‘Yeah. And whose bloody fault is it we’re going?’ I want to…
