Richard Farnes

Handsome and revivable but I wasn’t moved: Royal Opera’s Death in Venice reviewed

30 November 2019 9:00 am

Premièred within two years of each other, Luchino Visconti’s film and Benjamin Britten’s opera Death in Venice both take Thomas…

The conducting is as potent as Furtwängler’s: Opera North’s Ring reviewed

4 June 2016 9:00 am

When I interviewed Richard Farnes in Leeds six years ago about Opera North’s project of performing the complete Ring, he…

Opera North's Götterdämerung is astounding (nearly)

5 July 2014 9:00 am

It seems a very short time since I interviewed Richard Farnes about Opera North’s planned Ring cycle, the dramas to…

Kelly Cae Hogan (Lady Macbeth) and Béla Perencz (Macbeth)

ENO's Rodelinda: near-perfect singing, perfectly gimmicky direction

8 March 2014 9:00 am

I wasn’t going to write about Handel’s Rodelinda, wasn’t even intending to go, but thanks to the kindness of the…