Radio
The art of the monologue
If you’ve been listening to The Archers lately, you’ll know how tedious monologues can be. The BBC has received so…
Viva la vulva!
I spent half an hour this week listening to a woman make a plaster cast of her vulva. Kat Harbourne,…
Audio onanism
In Beeb-dominated Britain, the commercial triumph of podcasting — epitomised by Spotify’s recent £100 million deals with Joe Rogan and…
Homage to Avalonia
Televising Glastonbury has changed the festival, and in turn transformed television, says Graeme Thomson
The wonder of Wodehouse
Everyone knows a Lord Emsworth. Mine lives south of the river and wears caterpillars in his hair and wine on…
Watcher of the skies – and the coffee pot
‘To be recognised and accepted by a peregrine,’ wrote J.A. Baker in 1967, ‘you must wear the same clothes, travel…
Radio 3 presenters
Anyone who has listened regularly to Radio 3 over the decades — not to mention the Third Programme, which Radio…
Rules of engagement
With theatres shut, radio must lighten the darkness. The Guilty Feminist is a wildly popular podcast performed by Deborah Frances-White…
And did those feet
Writers like walking. When people ask us why, we say it’s what writers do. ‘Just popping out to buy a…
Top bantz
So, you’ve fallen in love with a piece of classical music and you want to buy a recording. The problems…
Stranger things
Of all the many things I’ve learned from the radio so far this decade, the most deranging is that the……
How podcasts have transformed radio
As if on cue, Lemn Sissay’s new series for Radio 4 tackles all those questions we would rather ignore in…
Why everyone loves Dolly Parton
When her musical 9 to 5 opened at the Savoy Theatre earlier this year, Dolly Parton stayed at the Savoy…
The pleasures and perils of talking about art on the radio
‘I like not knowing why I like it,’ declared Fiona Shaw, the actress, about Georgia O’Keeffe’s extraordinary blast of colour,…
The Polish electronic music revolution of the 1950s
It was created in November 1957, a year before the BBC’s fabled Radiophonic Workshop, and was far more influential in…
Why I love a bit of death on a Sunday night
There’s nothing like a nice bit of death on a Sunday evening. Radio 4 originally transmit their obituary programme Last…
From Brexit to Beethoven: John Humphrys returns to radio
Some listeners will have had quite a shock first thing on Monday. Turning on at six to Classic FM they…
Can giving voice to the horrors of the past re-traumatise?
It is 50 years since Ronald Blythe published Akenfield, his melancholy portrait of a Suffolk village on the cusp of…
Without Joe Grundy The Archers feels lost
There was something really creepy about listening to the ten-minute countryside podcast released last weekend by Radio 4 supposedly transporting…
Did Radio 2 really need to give us four days of the Beatles to celebrate Abbey Road?
This Changeling Self, Radio 4’s lead drama this week, clearly ought to have gone out in August. It’s set —…
Radio 4’s The Art of Innovation is a series that — for once — deserves the label ‘landmark’
Radio 4, how do I love thee? Rather as one loves the flocked wallpaper that came with the house. It…
The joys of Radio 4’s Word of Mouth
I first heard Lemn Sissay talking about his childhood experiences on Radio 4 in 2009. At that time he was…
Will you last beyond the madeleine? Radio 4’s In Search of Lost Time reviewed
The madeleine upon which Proust’s seven-volume epic In Search of Lost Time pivots makes its significant appearance after just 18…
An important story but not for the faint-hearted: Deadliest Day podcast reviewed
One of the advantages that podcasts have over the scheduled array of programmes is the space that can be given…
Jonathan Dimbleby is right: we need to rise up and defend the BBC
There’s been a Dimbleby on air since before I was born but last Friday saw the end of that era…
