prints

The 19th century Chinese craze for all things European

10 June 2023 9:00 am

By the 1800s, the mechanical clock had become a status symbol for wealthy Chinese. The first arrived with Jesuit missionaries…

Full of masterpieces: Paula Rego at Tate Britain reviewed

24 July 2021 9:00 am

The Victorian dictum ‘every picture tells a story’ is true of Paula Rego’s works, but it’s only part of the…

The artists ensnared by the capitalist system they affect to despise

24 April 2021 9:00 am

Stuart Jeffries on the artists ensnared by the capitalist system they affect to despise

Looking at Barnett Freedman makes me weep at the government's dismal graphics

15 August 2020 9:00 am

Among the spoils of a lockdown clear-out was a box of my grandmother’s books: Woolf, Austen, Mitford and The Complete…

Europe's eye-popping first glimpse of the Americas

16 May 2020 9:00 am

The earliest depictions of the Americas were eye-popping, and shaped European art, says Laura Gascoigne

The grisly art of Revolutionary France

28 March 2020 9:00 am

There was a basket of thick red wool and two pairs of large knitting needles at the start of University…

Strange, sinister and very Belgian: Léon Spilliaert at the Royal Academy reviewed

29 February 2020 9:00 am

The strange and faintly sinister works of the Belgian artist Léon Spilliaert have been compared — not unreasonably — to…

‘Water-meadows near Salisbury’, 1829/30, by John Constable

Curator-driven ambitions mar this Constable show at the V&A

4 October 2014 9:00 am

The V&A has an unparalleled collection of hundreds of works by John Constable (1776–1837), but hardly anyone seems to know…