Nicholas Hytner

Privatisation is the best option for the South Bank Centre

6 June 2020 9:00 am

I must have written about this subject 100 times in 30 years and I’m still having to restate the bloody…

Slow-moving tale with a strong echo of Brideshead: Alys, Always at the Bridge reviewed

16 March 2019 9:00 am

Nicholas Hytner’s new show, Alys, Always, is based on a Harriet Lane novel that carries a strong echo of Brideshead.…

Lee Evans in Pinter Three. Photo: Marc Brenner

Mean-spirited, muddled, idiotic and puerile: Martin McDonagh’s A Very Very Very Dark Matter reviewed

3 November 2018 9:00 am

In the year since it opened, the Bridge has given us the following: a harmless Karl Marx comedy by Richard…

One to savour: Nikki Amuka-Bird as Ellida in The Lady from the Sea

Why has the Bridge Theatre opened with this lightweight new play? Young Marx reviewed

4 November 2017 9:00 am

Bang! A brand new theatre has opened on the South Bank managed by the two Nicks, Hytner and Starr, who…

American Buffalo at Wyndham’s reviewed: ‘magnificent, multicoloured, vast and tragic’

9 May 2015 9:00 am

David Mamet is Pinter without the Pinteresque indulgences, the absurdities and obscurities, the pauses, the Number 38 bus routes. American…

Nicholas Hytner’s sod-you farewell: Rules for Living at the Dorfman reviewed

11 April 2015 9:00 am

Experts are concerned that Alan Ayckbourn’s plays may soon face extinction. Fewer than 80 of these precious beasts still exist…

Alice Coote and Sarah Tynan in ‘Xerxes’ at ENO

Royal Opera's Rigoletto: your disbelief may wobble but your excitement won't

4 October 2014 9:00 am

One of the greatest tests of how an opera house is functioning is the quality of its revivals. Both the…