Music
Jonathan Biss: The sadness and euphoria of playing to an empty room
My November was bookended by two characteristic displays of grace. I ushered it in by falling on all fours while…
Mozart the infant prodigy was also a child of the Enlightenment
‘My dear young man: don’t take it too hard,’ Joseph II counsels a puppyish Mozart, the colour of his hair…
You won’t be able to look away: Shirley reviewed
This week, two electrifying performances in two excellent films rather than two mediocre performances in the one mediocre film —…
The dazzling, devious, doomed sound of James Booker
Dr John called James Booker ‘the best black, gay, one-eyed junkie piano genius New Orleans has ever produced’. Booker died…
The joy of an illegal rave
Every time I read that Britain’s anti-coronavirus measures are being jeopardised by a ‘small minority of senseless individuals’ holding illegal…
Young people have never paid attention to the BBC
In January, the director-general of the BBC, Lord Hall of Birkenhead, announced that the corporation intended to shift away from…
SOS: Save our singers
‘Musician’ is how I described myself to the nice Latvian lady interviewing me the other week for an ONS survey…
The festivalisation of TV
Televising Glastonbury has changed the festival, and in turn transformed television, says Graeme Thomson
Privatisation is the best option for the South Bank Centre
I must have written about this subject 100 times in 30 years and I’m still having to restate the bloody…
Dion, one of the last living links to the earliest days of rock ’n’ roll
He toured with Little Richard, sang with Van Morrison, inspired the Beatles and Paul Simon. Graeme Thomson talks to Dion, one of the last living links to the early days of street-corner rock ’n’ roll
One of the more disturbing films I’ve seen: Arena’s The Changin’ Times of Ike White reviewed
Arena: The Changin’ Times of Ike White (Monday) had an extraordinary story to tell — but one that, halfway through…
Joyous and very, very funny: Beastie Boys Story reviewed
The music of the Beastie Boys was entirely an expression of their personalities, a chance to delightedly splurge out on…
You’re not special – just ask Google
My research assistant, John Steele, is also a songwriter. A friend emailed him with the lyrics of a Fleetwood Mac…
Beautiful voice, pretentious album: Fiona Apple’s Fetch the Bolt Cutters reviewed
Grade: C+ Where did they all come from, the quirky yet meaningful rock chicks who don’t have a decent song…
From Middlemarch to Mickey Mouse: a short history of The Spectator’s books and arts pages
The Spectator arts and books pages have spent 10,000 issues identifying the dominant cultural phenomena of the day and being difficult about them, says Richard Bratby
The musical benefits of not playing live
Many performers hated playing live. But freed from the stage they often made their best and wildest work, argues Graeme Thomson
Haunting and beautiful: Revolutionary Army of the Infant Jesus’s Songs of Yearning reviewed
Grade: A It has taken 33 years — during which time this decidedly strange Liverpool collective have put out only…
Welder, banjo player, comedian, actor, and now artist – Billy Connolly interviewed
William Cook talks to Billy Connolly – welder, banjo player, comedian, actor, and now artist – about growing up in Glasgow, ditching the mike stand and living with Parkinson’s
Beethoven wasn’t just history’s greatest composer but also one of its greatest human beings
Ludwig van Beethoven isn’t just my favourite composer: he’s my household god. There’s a bust of him on my mantelpiece.…
Rap that feels like a sociology lecture: Loyle Carner at Alexandra Palace reviewed
A few years ago, I asked the young American soul singer Leon Bridges — a latter-day Sam Cooke, with the…
Fascinating and compelling: Bruce Hornsby at Shepherd’s Bush Empire reviewed
In the unlikely event that Bruce Hornsby and Morten Harket, A-ha’s singer, ended up featuring in the Daily Mail for,…