Jonathan Kent

Rarely has the West End seen such a draining and nasty experience: The Exorcist reviewed

11 November 2017 9:00 am

The Exorcist opened in 1973 accompanied by much hoo-ha in the press. Scenes of panic, nausea and fainting were recorded…

Glyndebourne’s Turn of the Screw: horrors of the most innocent and creepy kind

25 October 2014 9:00 am

We all know that ‘They fuck you up your mum and dad’, but nowhere is this more reliably (and violently)…

Barbie doll: Kristine Opolais as Manon

Manon Lescaut: Puccini’s Anna Nicole?

28 June 2014 9:00 am

This season has already seen Manon Lescaut appear in several different operatic guises across the UK, but it was Covent…

Beguiling musicality: Sébastien Guèze as Rodolfo and Gabriela Istoc as Mimì in Opera North’s ‘La Bohème’

Two Mimi-Rodolfos at Opera North who go from nought to frisky very believably

17 May 2014 9:00 am

Purists might have winced at Opera North’s advertisement for its latest revival of La Bohème. ‘If you see one musical…

A brilliant turn: Imelda Staunton as Margaret in ‘Good People’

If you're going to adapt a bestseller, don't choose the A-Z

15 March 2014 9:00 am

What’s the quickest way to create a hit musical? Base it on a bestselling book. The writers of The A-Z…

Michael Tanner’s Glyndebourne experience is ruined by the traffic

3 August 2013 9:00 am

What could be more delightful than going to Gyndebourne with someone who has never been before, arriving in time for…