Handel

Meet the unrivalled Sun King of early music, William Christie

23 November 2019 9:00 am

It’s morning in the garden of William Christie, and he’s talking about home improvements. ‘I planted three pines up there…

Joyce DiDonato seduces you within the first 10 minutes: Royal Opera’s Agrippina reviewed

5 October 2019 9:00 am

‘Laws bow down before the desire to rule…’ Centuries before ‘proroguing’ had entered British breakfast-table vocabulary there was Handel’s Agrippina,…

Musical shapeshifters: I Faglioni performing Leonardo: Shaping the Invisible at Milton Court Concert Hall Credit: Mark Allan/Barbican

The Holy Grail of concert-going: I Fagiolini deliver serious musicianship that never takes itself too seriously

11 May 2019 9:00 am

We’ve all read the article. It does the rounds with the dispiriting regularity of an unwanted dish on a sushi…

Desperate mothers, abandoned babies: the tragic story of London’s foundlings

4 May 2019 9:00 am

One of the oddest of Bloomsbury’s event venues must be the Foundling Museum. The handsome building on Coram’s Fields houses…

ENO’s Jack the Ripper needs to decide if it wants to be a gore-fest or social history

6 April 2019 9:00 am

Is it possible to write a feminist opera about Jack the Ripper? Composer Iain Bell thinks it is, and his…

English Touring Opera's handsome production of Dido and Aeneas. Photo: Richard Hubert Smith

In praise of the English Touring Opera — a minor miracle of the arts world

27 October 2018 9:00 am

Wolverhampton; Workington; Blackburn; Sheffield; Lancaster; Hackney. Every year English Touring Opera does what our national opera company doesn’t: packs up…

Chorus of approval: the ENO chorus gives it the full Broadway, triple threats to a man, in Benjamin Britten’s Paul Bunyan (Photo: Genevieve Girling)

Often baffling but ultimately entertaining: Britten’s Paul Bunyan reviewed

15 September 2018 9:00 am

‘I feel I have learned lots about what not to write for the theatre…’ There’s a prevailing idea that the…

OPERA
The ENO Chorus in Acis and Galatea. Photo: Dani Harvey

A fun evening that finished early enough for dinner – neither a given in Handel

23 June 2018 9:00 am

On a sward of AstroTurf somewhere off Silicon Roundabout, Mountain Media is hosting its summer party and, well, it’s the…

A delicious operatic ragout of horror: Lady Macbeth of Mtsensk reviewed

21 April 2018 9:00 am

There is famously no door into the late-night diner of Edward Hopper’s ‘Nighthawks’. Its three silent patrons are trapped behind…

ENO’s La traviata was so comprehensive a flop that it is painful to go into detail

24 March 2018 9:00 am

Handel’s Rinaldo has not been highly regarded even by his most ardent admirers. I have never understood why — even…

Excellent but there’s too much larking about: ENO’s Rodelinda reviewed

4 November 2017 9:00 am

ENO has revived Richard Jones’s production of Handel’s Rodelinda. It was warmly greeted on its first outing in 2014, though…

Soap opera

14 October 2017 9:00 am

Previously on Giulio Cesare… English Touring Opera’s new season caters cannily to the box-set generation by chopping Handel’s Egyptian power-and-politics…

Time to end authenticity

12 August 2017 9:00 am

They say the first step towards recovery is admitting that you have a problem. So I’m staging an intervention and…

A Handel opera that isn't by Handel, and a Mozart opera composed in 1990, reviewed

23 April 2016 9:00 am

Disguises and mistaken identities are a staple of opera, but usually as part of the onstage, not the offstage, action.…

Anna Devin as Alcina and Nick Pritchard as Ruggiero in ‘La Liberazione di Ruggiero’ at Brighton Early Music Festival

Has there ever been a better time to be a lover of Baroque opera?

28 November 2015 9:00 am

Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…

An abundance of spectacle: Iestyn Davies as David, with Sophie Bevan as Michal

Startling and sublime - even the candles got a round of applause: Glyndebourne’s Saul reviewed

1 August 2015 9:00 am

Caius Gabriel Cibber’s statues of ‘Melancholy’ and ‘Raving Madness’, their eyes staring blindly into the void, petrified in torment, once…

Why we should revel in the empty virtuosity of Handel's pasticcios

28 March 2015 9:00 am

Before the jukebox musical, back when Mamma Mia!, Jersey Boys and Viva Forever! were still dollar-shaped glints in an as-yet-unborn…

Identity crisis: Rachele Gilmore as Alice

Alice in Wonderland at the Barbican reviewed: too much miaowing

14 March 2015 9:00 am

Charles Lutwidge Dodgson loved little girls. He loved to tell them stories, he loved to feed them jam, he loved…

Alice Coote and Sarah Tynan in ‘Xerxes’ at ENO

Royal Opera's Rigoletto: your disbelief may wobble but your excitement won't

4 October 2014 9:00 am

One of the greatest tests of how an opera house is functioning is the quality of its revivals. Both the…

Spectator letters: In defence of women ministers, Handel and lefty sex

26 July 2014 9:00 am

Give the women a chance Sir: Melissa Kite’s article about the reshuffle seems downright unfair (‘A misogynistic reshuffle’, 19 July). Whatever…

Is Handel’s Messiah anti-Semitic?

19 July 2014 9:00 am

The Hallelujah Chorus crops up in the most unexpected places, says Michael Marissen in his new book about Handel’s Messiah.…

Why it's good to remember that Bach could be a tedious old windbag

7 June 2014 9:00 am

When I was first learning about classical music, 50 years ago, the scene was more streamlined than it is now.…

How Claudio Abbado bridged old and new

1 February 2014 9:00 am

Not long ago the great conductors of classical music were general practitioners. They expected to give satisfactory interpretations of music…

Music & Monarchy, by David Starkey - review

6 July 2013 9:00 am

British royalty, considered from a purely mechanistic angle, cannot function adequately without music. Deprived of marching bands, trumpeters and choristers…