Elgar

Baffling and vile: ETO’s Manon Lescaut reviewed

20 April 2024 9:00 am

In 1937, John Barbirolli took six pieces by Henry Purcell and arranged them for an orchestra of strings, horns and…

A dutiful exercise carried out in a rush

4 September 2021 9:00 am

The final volume of Peter Ackroyd’s History of England feels like a dutiful exercise carried out in a hurry, says Philip Hensher

Where to start with the music of Ethel Smyth

17 April 2021 9:00 am

I’m reminded of an old Irish joke. A tourist approaches a local for directions to Dublin. The local, after much…

Refined and dreamy: CBSO centenary concerts reviewed

12 December 2020 9:00 am

For an orchestra to lose one anniversary concert may be regarded as unfortunate. To lose two? Welcome to 2020. The…

Affectionate and unthreatening, just like usual: Last Night of the Proms reviewed

19 September 2020 9:00 am

The Last Night of the Proms came and went, and it was pretty much as anyone might have predicted, if…

I'm still not wholly convinced by Kirill Petrenko: Berlin Phil's Digital Concert Hall reviewed

30 May 2020 9:00 am

At the start of Elgar’s Second Symphony the full orchestra hovers, poised. It pulls back; and then, like a dam…

From Middlemarch to Mickey Mouse: a short history of The Spectator’s books and arts pages

24 April 2020 11:00 pm

The Spectator arts and books pages have spent 10,000 issues identifying the dominant cultural phenomena of the day and being difficult about them, says Richard Bratby

Composer Amy Beach. Photo: Bridgeman Images

The forgotten masterpieces of Amy Beach

25 May 2019 9:00 am

At the Wigmore Hall last Friday, the Takacs String Quartet and Garrick Ohlsson played a piano quintet that was once…

Before the dawn: Sir Edward Elgar, Sir Dan Godfrey, Sir Alexander Mackenzie and Sir Charles Stanford, seated. Standing: Sir Edward German and Sir Hubert Parry. Bournemouth Centenary Festival, 1910

Music’s Brexit

11 August 2018 9:00 am

It’s October 1895 and the spirit of Music has been absent from Britain for exactly 200 years. Why she fled,…

Partying like it’s 1899: two lieder recitals reviewed

4 November 2017 9:00 am

If a symphony is, as Mahler famously put it, ‘like the world’, then songs and lieder are like seeing that…

Hadyn recreated

22 July 2017 9:00 am

‘Rarely, rarely, comest thou, Spirit of Delight!’ wrote Elgar, quoting Shelley, at the top of his Second Symphony. He should…

Our neglect of this great working-class British composer is a disgrace

14 May 2016 9:00 am

One of the greatest choral symphonies of the 20th century, entitled Das Siegeslied (Psalm of Victory), has been heard only…

Giselle has floored many a ballerina — it did so again last week

17 October 2015 8:00 am

English has all sorts of emotive metaphors for how we feel about the ground. We’re floored. Or well grounded. Or…

Why Daniel Barenboim should be the next head of the Berlin Phil

18 April 2015 9:00 am

Daniel Barenboim is back in town: the South Bank is mounting a ‘Barenboim Project 2015’ in which he’s playing the…

Was Elgar’s The Kingdom an attempt to write a religious Ring Cycle?

2 August 2014 9:00 am

To go from the second day of the England v. India Test match at Lord’s to the Albert Hall for…

Music & Monarchy, by David Starkey - review

6 July 2013 9:00 am

Music has always been integral to the image and power of monarchy. Our present Royal family should take note, says Jonathan Keate