Christian Curnyn

Philipp Fürhofer's handsome and often ingenious designs for the Royal Opera's overcomplicated new production of The Queen of Spades. Photo: ROH 2018 / Catherine Ashmore

Never quite pivots from thesis to drama: Royal Opera’s Queen of Spades reviewed

19 January 2019 9:00 am

We increasingly accept the collision between life and art. Whether we’re puzzling over the real identity of Elena Ferrante, choosing…

Excellent but there’s too much larking about: ENO’s Rodelinda reviewed

4 November 2017 9:00 am

ENO has revived Richard Jones’s production of Handel’s Rodelinda. It was warmly greeted on its first outing in 2014, though…

Anna Devin as Alcina and Nick Pritchard as Ruggiero in ‘La Liberazione di Ruggiero’ at Brighton Early Music Festival

Has there ever been a better time to be a lover of Baroque opera?

28 November 2015 9:00 am

Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…