Brahms

Alan Rusbridger on the joys of four-hand piano

19 December 2020 9:00 am

One of the few social activities not yet prohibited under lockdown laws is four-handed piano playing. I don’t mean sitting…

Why we love requiems

2 May 2020 9:00 am

Alexandra Coghlan on the enduring appeal of requiems

Warmth, energy and gripping momentum: Stephen Hough’s Wigmore Hall residency reviewed

18 January 2020 9:00 am

In the summer of 1878 Johannes Brahms finally succeeded in growing a beard. It was his third attempt. ‘Prepare your…

Sarah Tynan, Nicholas Lester and Andrew Shore in ENO's new Merry Widow. Photo: Clive Barda

Cringingly vulgar, brainless and lacking heart: ENO’s Merry Widow reviewed

9 March 2019 9:00 am

Garrick Ohlsson is one of the finest pianists of his generation. Why, then, was the Wigmore Hall not much more…

Jozsefs Lendvai and Lendvay with Ivan Fischer and the Budapest Festival Orchestra at the Proms. Image: BBC/Chris Christodoulos

The Budapest Festival Orchestra make all other orchestra look routine and oafish

1 September 2018 9:00 am

Looney Tunes was always at its best when soundtracked by a Hungarian gypsy dance. (Watch ‘Pigs in a Polka’ if…

Partying like it’s 1899: two lieder recitals reviewed

4 November 2017 9:00 am

If a symphony is, as Mahler famously put it, ‘like the world’, then songs and lieder are like seeing that…

Make mine a double

14 October 2017 9:00 am

If two concert pianists are performing a work written for two grand pianos, there are two ways you can position…

The sound of no hands clapping

16 September 2017 9:00 am

‘We’re going to live for ever!’ declares Robert Powell as Gustav Mahler at the end of Ken Russell’s 1974 biopic.…

Was Barenboim happy hiding inside a provincial orchestra from Venezuela?

23 January 2016 9:00 am

Daniel Barenboim back at the Festival Hall! Cue The Grand March of the Musical Luvvies Across Hungerford Bridge, a bustling…

Late Brahms is wonderfully crafted - which is why it's so dull

21 November 2015 9:00 am

Brahms’s Clarinet Quintet begins, writes his biographer Jan Swafford, with ‘a gentle, dying-away roulade that raises a veil of autumnal…

Why it's good to remember that Bach could be a tedious old windbag

7 June 2014 9:00 am

When I was first learning about classical music, 50 years ago, the scene was more streamlined than it is now.…