Anish Kapoor
The jewel-bright, mesmerisingly detailed pictures by Raqib Shaw are a revelation
Describing the Venice Biennale, like pinning down the city itself, is a practical impossibility. There is just too much of…
The twisted logic of Shamima Begum's defenders
Shamima Begum is back in the news. Firstly because she’s had a makeover. She can be seen on the front…
There’s almost nothing in this Hayward show – and that’s the point
A reflection on still water was perhaps the first picture that Homo sapiens ever encountered. The importance of mirrors in…
I felt the earth move just as before: Akram Khan’s Kaash reviewed
You revisit an old love with wariness. Time’s passed for both of you — sharp edges have been smoothed, and…
Ai Weiwei: the perfect Asian artist for lazy western curators
In September, the Royal Academy of Arts will present a solo exhibition of works by the Chinese artist Ai Weiwei.…
The Spectator declares war on bad public art
Stephen Bayley announces the launch of What’s That Thing?, The Spectator’s award for bad public art
The Lisson show is so hermetic, sometimes we flounder for meaning
The title of the Lisson Gallery’s new show, Nostalgic for the Future, could sum up the gallery’s whole raison d’être.…
