<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Exhibitions

The Lisson show is so hermetic, sometimes we flounder for meaning

Nostalgic for the Future, Lisson Gallery— review

23 November 2013

9:00 AM

23 November 2013

9:00 AM

Nostalgic for the Future

Lisson Gallery, 27–29 Bell Street, NW1, until 11 January 2014

The title of the Lisson Gallery’s new show, Nostalgic for the Future, could sum up the gallery’s whole raison d’être. From its inception in 1967, the Lisson has championed the cutting edge, providing a British and European platform for the major conceptual and minimal artists from the States — Sol LeWitt, Carl Andre and Dan Flavin among them — and following that in the 1980s with its promotion of New British Sculptors such as Anish Kapoor and Tony Cragg.

Already a subscriber? Log in

Easter flash sale:
10 issues for $1

Subscribe this Easter and get the next 10 issues of the magazine, plus website and app access, all for just $1.

  • Weekly delivery of the magazine
  • Unlimited access to spectator.com.au and app
  • Spectator Australia podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock 3 articles a month

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Easter flash sale: 10 issues for $1

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close