Arts
Watching the detective
Producers are getting jittery again. Large-scale shows look risky when a single infection can postpone an entire show. Hence Poirot…
Home and away
After Artemis Fowl and Murder on the Orient Express you may have had concerns about Kenneth Branagh ever helming a…
Neville’s advocate
Nigel Jones talks to the writer Robert Harris about Blair, Johnson and Polanski, cancel culture and his quest to rehabilitate Neville Chamberlain
West Side Story
How strange to revisit the Nova in Lygon Street, Carlton, where a lifetime of films have been experienced, after an…
To die for
If there’s any form of entertainment that I will reliably find time for, no matter how big the to-read pile…
Love letter to a titan
Hampstead Theatre has revived a play about Peggy Ramsay, the legendary West End agent who shaped the careers of Joe…
An artist of the floating world
In 1950 the 21-year-old painter Helen Frankenthaler, fresh out of college, went to an exhibition at New York’s Betty Parson’s…
Master of dawn and dusk
Igor Toronyi-Lalic talks to the film-maker Apichatpong Weerasethakul about sleep, Tilda Swinton and VR
Booster shots of sunlight
Sir Simon Rattle and the London Symphony Orchestra began the year with a world première. Unsuk Chin’s Second Violin Concerto…
Women beware women
As you may have noticed, it’s something of a golden age for TV shows about how invisible middle-aged women are…
There’s something about dairy
The latest film from Andrea Arnold (Red Road, Fish Tank, American Honey) is a feature-length documentary about a cow, starring…
The Cardinal’s books
There are a thousand overtly artistic things to talk about at this summer moment including the new Sidney Nolan exhibition…
Business as usual
It’s 2022 and classical music is, again, dead. It’d be surprising if it wasn’t. In 2014 the New Yorker published…
Mild at heart
It’s a sweet, green, glowing dawn in north-west Scotland. All around us are empty hillsides of rock and heather. The…
The heat is on
Boiling Point is a single-take drama set during a busy service at a London restaurant and it has to be…
The drugs don’t work
One of my first jobs in journalism was as the arts correspondent of the Daily Telegraph. I’d hop on my…
His thuggish materials
Philip Pullman’s The Book of Dust has been adapted at the Bridge. The yarn is set in Oxford, and the…
Brought to book
‘This is not a book,’ is the first line of Paul Gauguin’s final memoir, Avant et Après, written on Hiva…
Second in command
The importance of understudies has been elevated to new heights by the pandemic, says Sarah Crompton
Sigrid Thornton
It was the thought of Stephen Sondheim’s death that made us watch Imelda Staunton in Gypsy. It’s the second musical…
Moomin marvellous
Moomins do not like winter. In one of Tove Jansson’s stories, Moomin’s Winter Follies, young Moomintroll bumps his head when…
1963 and all that
For people who like a good upper-class scandal (or ‘people’, as they’re also known), 1963 was definitely a vintage year.…
By Giorgio
Martin Gayford on a radical Nativity that is the subject of one of the great whodunnits of art history






























