Arts
Flexible and imaginative: Wednesday at the Roundhouse reviewed
How is it that two things that are fundamentally the same can be completely different? Two bands, each harking back…
A parade of monstrous and toxic generals: Beatriz Gonzalez reviewed
You might be forgiven for thinking that a charity sale of particularly kitschy furniture has been set up just past…
‘I didn’t expect to love Wagner’
By the end of Siegfried, the third opera in Wagner’s Der Ring des Nibelungen, the king of the gods is…
Will the Houses of Parliament burn down?
What does £450 million get you these days? With that cash, you could buy a Premier League football club. Or…
A hoard of lost treasure
Ray Lawler’s Summer of the Seventeenth Doll is the most celebrated of all Australian plays; and this story of the…
Marvellous but repetitious: Gwen John – Strange Beauties reviewed
A pilgrimage to Cardiff Central, sorry, Caerdydd Canolog (according to the signage in the station, which also had my return…
U2’s childlike response to world affairs
Whither the protest song in 2026? In January 1970, John Lennon wrote and recorded ‘Instant Karma!’ in a single day…
The blandness of Hugh Bonneville
Shadowlands, by William Nicholson, is a solid and unsurprising account of the brief marriage between C.S. Lewis (known as Clive),…
Fascinating: EPiC – Elvis Presley in Concert reviewed
EPiC: Elvis Presley In Concert is a concert documentary that grew out of the 65 boxes of unseen Las Vegas…
Enjoyably old-fashioned: ITV’s The Lady reviewed
I lasted all of five minutes with Netflix’s tasting menu-length Being Gordon Ramsay. This surprised me, because I’ve long had…
A playful, big-hearted, intelligent new opera
Some people like art to have a message. So here’s one, delivered by Katsushika Hokusai near the end of Dai…
The genius of John Vanbrugh
Van’s genius, without Thought or Lecture, Is hugely turn’d to Architecture. Jonathan Swift’s dismissive jest has never been forgotten. It…
Strange and familiar
One of the excitements of seeing Ngaire Dawn Fair in the full trilogy of The Summer of the Seventeenth Doll…
Dazzling: I’m Sorry, Prime Minister at the Apollo Theatre reviewed
Jim Hacker is back in the West End. I’m Sorry, Prime Minister, written by Jonathan Lynn (who co-wrote the original…
The problem with books podcasts
The Rest Is History has a new spin-off podcast called The Book Club. If you listen to the former, you’ll…
A highlight in an otherwise dull season: Pierrot Lunaire reviewed
Even if Schoenberg’s song cycle Pierrot Lunaire is never going to feature on anyone’s Desert Island Discs, it stands as…
Foot-to-the-floor entertainment: How to Get to Heaven from Belfast, Lisa McGee’s sequel to Derry Girls, reviewed
How do you follow a great sitcom? Judging from How to Get to Heaven from Belfast and Small Prophets, the…
How Greece carried the arts to rustic Rome
‘Cultural cringe’, that lovely Aussie coinage, perfectly describes the Roman attitude towards Greece. The curators don’t say so, but it…
John Mulhaney at his best is unstoppable
John Mulaney appeared to be just another of those identical, slick, clean-cut, young comedians in suits until Covid. But all…
Doesn’t put a foot wrong: The Secret Agent reviewed
Kleber Mendonca Filho’s The Secret Agent, which is about an academic on the run during Brazil’s brutal military dictatorship, won…
What a masterpiece. What a man: Borodin at the Barbican reviewed
Gianandrea Noseda conducted the London Symphony Orchestra last week in a programme of Stravinsky, Chopin and Borodin. The Stravinsky was…
The art of conspiracy
If you lived anywhere near Kilburn half a decade ago, you might have noticed the messages one of our neighbours…
Dark and stormy
The opening gala of Melbourne Symphony Orchestra this year with the renowned pianist Jean-Yves Thibaudet seems in every way congruent…
The BBC’s Lord of the Flies is mesmerically brilliant
I don’t much like Lord of the Flies. It’s nasty, weird in an oblique, psychotic way and wrong. William Golding…
