Exhibitions
From the sublime to the ridiculous
In the Royal Academy’s courtyard are two large glass cases or vitrines containing model submarines. In one the sea has…
Small wonder
The V&A has an unparalleled collection of hundreds of works by John Constable (1776–1837), but hardly anyone seems to know…
Old master
Juvenilia is the work produced during an artist’s youth. It would seem logical to think, therefore, that an artist’s output…
Net effect
In the mid-1990s the art world got excited about internet art (or ‘net.art’, as those involved styled it). This new…
A kind of magic
Talking of Rembrandt’s ‘The Jewish Bride’ to a friend, Vincent van Gogh went — characteristically — over the top. ‘I…
A Cubist in New York
The American Jewish artist Max Weber (1881–1961) was born in Belostok in Russia (now Bialystok in Poland), and although he…
Dance of death
The Imperial War Museum has reopened after a major refit and looks pretty dapper, even though it was overrun by…
Bloomsbury bores
Virginia Woolf (1882–1941) claimed that nothing has really happened until it has been recorded, so this new exhibition at the…
The art of protest
Titles can be misleading, and in case you have visions of microwave ovens running amok or washing machines crunching up…
Back to the future
Futurism, with its populist mix of explosive rhetoric (burn all the museums!) and resolutely urban experience and emphasis on speed,…
Home is where the art is
A day trip to the Towner Art Gallery in Eastbourne is a summer pleasure, and two concurrent shows are proving…
The inspirational and the sublime
‘I recollect nothing so much as a solemn — bright — warm — fresh landscape by Wilson, which swims in…
Relative values
John Northcote Nash (1893–1977) was the younger brother of Paul Nash (1889–1946), and has been long overshadowed by Paul, though…
Sheer delight
British folk art has been shamefully neglected in the land of its origin, as if the popular handiwork of past…
Spiritual sensations
Kazimir Malevich (1879–1935) is one of the founding fathers of Modernism, and as such entirely deserves the in-depth treatment with…
Visual curiosity
In an age when photographs have swollen out of all proportion to their significance, and are mounted on wall-sized light…
Wings of desire
These days, as the sparrows and starlings so common in my youth are growing scarce, there’s less need for a…
Mixed blessings
As the boundary between auction house and art dealer blurs yet further, with auctioneers acting increasingly by private treaty as…
Super nature
For decades I’ve been aware of the work of Keith Grant (born 1930), but it is only in recent years…
Black comedy
Fwoooosh! That, were someone to write a strip about it, would be the sound of a thousand comic books going…
The optimism of light
Tragically, Ian Welsh (1944–2014) did not live to see this exhibition of his latest work. Diagnosed with terminal cancer on…
The good, the bad and the ugly
One of the great traditions of the RA’s Summer Exhibition has always been that each work submitted was seen in…
Going Dutch
I find it easy to forget that Piet Mondrian is a Dutch artist. The linear, gridlocked works he is famed…
Viola and St Paul’s
Deans are a strange breed. Growing up in the Church of England, I met a wide range, their cultural tastes…
Discerning eye
Earlier this year, I sat down and watched Kenneth Clark’s groundbreaking TV series Civilisation. I vaguely remember when it was…
