Exhibitions
Thinking inside the box
Someone once asked Joseph Cornell who was his favourite abstract artist of his time. It was a perfectly reasonable question…
![‘Sculpture with Colour (Deep Blue and Red) [6]’, 1943, by Barbara Hepworth](https://www.spectator.com.au/wp-content/uploads/2015/06/exhibitions1.jpg?w=410&h=275&crop=1)
Shape-shifter
In the last two decades of her life, Barbara Hepworth was a big figure in the world of art. A…
Fairground attraction
Gianlorenzo Bernini stressed the difficulty of making a sculpture of a person out of a white material such as marble.…
The Craig-Martin touch
The Royal Academy Summer Exhibition has very little in common with the Venice Biennale. However they do share one characteristic.…
This is England
At the Turner Prize dinner of 2003, as the winner, Grayson Perry, took a photo call with his family wearing…
Tribes of one
The British painter Nina Hamnett recalled that Modigliani had a very large, very untidy studio. Dangling from the end of…
He’s got rhythm
One evening before the first world war, Henri Gaudier-Brzeska, fired by drink, tried out such then-fashionable dances as the cakewalk…
Designer fatigue
Different concepts of luxury may be inferred from a comparison of the wedding feast of Charles Bovary and Emma Rouault…
Sonia alone
In 1978, shortly before she died, the artist Sonia Delaunay was asked in an interview whether she considered herself a…
Light fantastic
The most unusual picture in the exhibition of work by Eric Ravilious at Dulwich Picture Gallery, in terms of subject-matter…
Making faces
The history of portraiture is festooned with images of sitters overwhelmed by dress, setting and the accoutrements of worldly success.…
American beauty
It is true that, like wine, certain artists don’t travel. Richard Diebenkorn, subject of the spring exhibition in the Royal…
The power of nightmares
It is not impossible to create good art that makes a political point, just highly unusual. Goya’s ‘Third of May’…
Monet maker
When it was suggested that a huge exhibition of Impressionist paintings should be held in London, Claude Monet had his…
All in the worst possible taste
In the giftshop at the new Elvis exhibition at the Dome, you can buy your own version of his flared…
Elephant in the room
In the centre of the new exhibition Sculpture Victorious at Tate Britain there is a huge white elephant. The beast…
Easy does it
The artist Malcolm Morley once fantasised about a magazine that would be devoted to the practice of painting just as…
Art of noise
The album is not what it was. It still exists, in record collections, as part of the torrential streaming of…
Double Dutch
‘Whoever wishes to devote himself to painting,’ Henri Matisse once advised, ‘should begin by cutting out his own tongue.’ Marlene…
Rubens wronged
The main spring offering at the Royal Academy, Rubens and His Legacy: Van Dyck to Cézanne, teaches two useful lessons.…
Back to the future
Almost a decade ago, David Cameron informed Tony Blair, unkindly but accurately, ‘You were the future once.’ A visitor to…
Double vision
In 1933, two new students met on their first day at Glasgow School of Art. From then on they were…
Life force
‘Love of the human form’, writes the painter John Lessore, ‘must be the origin of that peculiar concept, the Life…
In from the cold
You won’t have heard of Peder Balke. Yet this long-neglected painter from 19th-century Norway is now the subject of a…
Erotic review
It has been a vintage season for mannequins. At the Fitzwilliam Museum in Cambridge, an exhibition called Silent Partners looks…
