Dance

The genius of Martha Graham

30 May 2020 9:00 am

If eight weeks in lockdown have brought out my baser impulses (biscuits by the sleeve, total renunciation of waistbands), it’s…

Watching dance online is an advantage, not a concession: BalletBoyz – Deluxe reviewed

11 April 2020 9:00 am

Another day in isolation, another bid to find joy in my lone state-sanctioned walk. (Pro tip: stay out longer than…

Another triumph for Crystal Pite and Jonathon Young at Sadler’s Wells

14 March 2020 9:00 am

It must have been hard for Crystal Pite and Jonathan Young to live up to the success of 2016’s devastating…

A bruising encounter: Pina Bausch's Bluebeard reviewed

29 February 2020 9:00 am

Pina Bausch’s best work always hovered between the familiar and the unknown. The late choreographer revelled in borders and thresholds,…

Chilling: Arthur Pita’s The Little Match Girl at Sadler’s Wells reviewed

11 January 2020 9:00 am

Did your feet twitch? That’s the test of The Red Shoes. Did your toes point? Your ankles flex? Your arches…

How to make a Christmas ballet hit: behind the scenes at Scottish Ballet’s Snow Queen

21 December 2019 9:00 am

Ballet, like bread sauce and green chartreuse, is often just a Christmas thing and the UK’s national companies plan their…

Unsettlingly faithful to the spirit of Schiele: Staging Schiele reviewed

16 November 2019 9:00 am

‘Come up and see my Schieles.’ Those were the words that ended a friend’s fledgling relationship with an art collector.…

A last dose of vitamin D before the clocks go back: Royal Ballet’s triple bill reviewed

2 November 2019 9:00 am

Were those gerberas in Francesca Hayward’s bouquet on opening night? Gentlemen admirers take note: no woman, ballerina or otherwise, has…

Manon can be magnificent, this one was merely meh

19 October 2019 9:00 am

Manon: minx or martyr? There are two ways to play Kenneth MacMillan’s courtesan. Is Manon an ingénue, a guileless country…

Nothing sings and shimmies like Alvin Ailey

14 September 2019 9:00 am

Hit them with your best shot? Or save the best till last? Almost 30 years after Alvin Ailey’s death in…

Daffy charm and diabolo tricks: Bolshoi’s The Bright Stream reviewed

17 August 2019 9:00 am

The Bright Stream is a ballet about a collective farm. Forget everything you know about collectivism — the failed harvests,…

Silly but stellar: Bolshoi Ballet’s Spartacus reviewed

10 August 2019 9:00 am

It’s togas-a-go-go as the Bolshoi bring Yuri Grigorovich’s 1956 ballet Spartacus to the Royal Opera House. Oh dear, I did…

Pam Tanowitz’s Four Quartets is a revelation

1 June 2019 9:00 am

T.S. Eliot’s Four Quartets is full of music and movement. The players, such as they are, slip, slide, shake, tumble,…

Natalia Osipova, cursed with a frightful Ascot fascinator, a Halloween shock-wig of black pipe cleaners, in Medusa as the Royal Opera House Credit: ©ROH, 2019 Photograph by Tristram Kenton

Sidi Larbi Cherkaoui’s #MeToo Medusa is a bad hair day from Hades

18 May 2019 9:00 am

Medusa is the bad hair day from Hades. Sidi Larbi Cherkaoui’s retelling of the Greek myth is frizzy, tangled and…

Electrifying: English National Ballet’s She Persisted reviewed

13 April 2019 9:00 am

‘Where was the Kahlo brow?’ asked my guest in the first interval of English National Ballet’s She Persisted, a triple…

Dancer, choreographer, iconoclast: Merce Cunningham in 1962

A masterclass of menace and magnificence: Romeo and Juliet reviewed

6 April 2019 9:00 am

Two households, both alike in dignity. Capulets in red tights, Montagues in green. Kenneth MacMillan’s Romeo and Juliet opens in…

Still far from perfect but chaps will like it: Royal Ballet’s Frankenstein reviewed

16 March 2019 9:00 am

Choreographer Richard Alston is now 70 and his latest outing at Sadler’s Wells is a greatest hits medley. As with…

Almost triumphs over the absurdity of its premise: Northern Ballet’s Victoria reviewed

16 March 2019 9:00 am

Blame Kenneth MacMillan. The great Royal Ballet choreographer of the 1960s, 70s and 80s was convinced that narrative dance could…

Odious, endless dross: Tanztheater Wuppertal Pina Bausch reviewed

2 March 2019 9:00 am

Please believe that I try to give every production my full attention, to do due diligence, to blink and miss…

Forget the Don – come for the Mataphwoar Ryoichi Hirano: Royal Ballet’s Don Quixote reviewed

23 February 2019 9:00 am

The trouble with Don Quixote is Don Quixote. Whenever the doddering, delusional Don is onstage, tilting at windmills, riding his…

Alina Cojocaru and Joseph Caley in Manon. Photo: Laurent Liotardo

One nasty moment aside, the ENB’s Manon is superlative

26 January 2019 9:00 am

If you like the BBC’s Les Misérables, you’ll love English National Ballet’s Manon. Manon, in Kenneth MacMillan’s telling, is The…

January as you would wish it: Royal Ballet’s Les Patineurs reviewed

5 January 2019 9:00 am

The Royal Ballet’s Les Patineurs is January as you would wish it. No slush, no new-year sales, no streaming chest…

The Royal Ballet's Nutcracker. Photograph: Tristram Kenton

You’ll have shivers down your spine and tears in your eyes: Royal Ballet’s Nutcracker reviewed

15 December 2018 9:00 am

Not another Nutcracker, I thought on the way to the Opera House. Haven’t we had our fill of Sugar Plums?…

Matthew Ball as Ted Feltham in the Royal Ballet's The Unknown Soldier. Photo: ROH, Helen Maybanks

Has the Royal Ballet found its hero?

1 December 2018 9:00 am

The Royal Ballet is a company in search of a prince. It has no lack of dancing princesses. You could…

Vadim Muntagirov as Solor and Marianela Nunnez as Nikiya in Royal Ballet's Bayadère. Photo: ROH / Bill Cooper

How could anyone object to the Royal Ballet engaging in cultural appropriation?

24 November 2018 9:00 am

La Bayadère opens with a sacred flame and ends with an earthquake. In between, Marius Petipa’s ballet of 1877 gives…