Closing time
War and plague have menaced theatres before, but rarely on this scale, says Lloyd Evans
The two gentlemen of corona
Boris Johnson’s medical wingmen
Secrets and spies
Here’s the problem. Much communication is done online, especially by youngsters, and much drama focuses on communication. So how do…
Pyramid of piffle
The Prince of Egypt is a musical adapted from a 1998 Dreamworks cartoon based on the Book of Exodus. So…
Changing the bard
A Moorish princess shipwrecked on the English coast disguises herself as a boy to protect her virtue. Arriving in London,…
Beckett would approve
An office worker stands on the ledge of an open window about to leap. Two colleagues enter, ignoring him completely.…
Family matters
History will record Leopoldstadt as Tom Stoppard’s Schindler’s List. His brilliant tragic-comic play opens in the Jewish quarter of Vienna…
On the bias
The Gift is three plays in one. It opens in a blindingly white Victorian parlour where a posh lady, Sarah,…
‘We will never return, there is no going back’: the Brexit Day party, as it happened
Remainers were there too. The first people I met at the Brexit Day festivities were opposed to the whole idea.…
Doing Chekhov by halves
Uncle Vanya opens with a puzzle. Is the action set in the early 20th century or right now? The furnishings…
Upstairs downstairs
Falling In Love Again features two of the 20th century’s best-known sex athletes. Ron Elisha’s drama covers a long drunken……
People expecting punishment won’t be disappointed: Almeida’s Duchess of Malfi reviewed
The Duchess of Malfi is one of those classics that everyone knows by name but not many have witnessed on…
Redneck twaddle: Young Vic’s Fairview reviewed
Fairview by Jackie Sibblies Drury won last year’s Pulitzer Prize. It deserves additional awards for promoting racial disharmony and entrenching…
Lily Allen to Newsnight: The 41 most annoying things in 2019
Lily Allen. Lights! Camera! Hanky! It’s been a vintage year for Twitter’s comedy genius. The needy pub-bore grumblings of Tony…
Full of fascinating data and excellent comedy: Messiah at Stratford Circus reviewed
I’ve joined the Black Panthers. At least I think I have. I took part in an induction ceremony at the…
All the world’s a stage: this election has echoes of Shakespeare and Dickens
The Christmas election has unfolded like a series of mini-dramas from panto, Dickens and other popular classics. Boris has come…
A flimsy tale of self-pity and thwarted ambition: Hunger at the Arcola reviewed
Oh my God. The Nazis have invaded the Arcola Theatre. Norwegian novelist Knut Hamsen won the Nobel Prize in 1920…
Punk spirit underpinned by darkness and horror: Richard III at the Sam Wanamaker Theatre reviewed
The history plays are different. In dramas like Othello, Hamlet and Much Ado, Shakespeare laid out the plot with great…
An astonishing treat: Dear Evan Hansen at the Noël Coward Theatre reviewed
Dear Evan Hansen, by Steven Levenson, opens as a standard American teen-angst musical. Evan is a sweaty geek with a…
Riveting and beautifully staged analysis of totalitarianism: Arcola’s #WeAreArrested reviewed
When the RSC does modern drama it usually lays on an ultra-worthy yarn with a huge cast, dozens of fancy…
The script’s a dud: Antipodes at the Dorfman Theatre reviewed
The Antipodes, by the acclaimed dramatist Annie Baker, is set in a Hollywood writers’ room. Seven hired scribblers are brainstorming…
Why the Royal Court is theatre’s answer to Islamic State
The Royal Court is the theatre’s answer to Islamic State, a conspiracy of nihilists fascinated with death, supported by groups…
A surefire international hit: Lungs reviewed
No power on earth can stop Lungs from becoming an international hit. Duncan Macmillan’s slick two-handed comedy reunites Matt Smith…
A 90-minute slog up to a dazzling peak: ‘Master Harold’… and the boys reviewed
Athol Fugard likes to dump his characters in settings with no dramatic thrust or tension. A prison yard is a…



























